About: La Dori

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La Dori, overo Lo schiavo reggio (Doris, or The Royal Slave) is a tragi-comic opera in a prologue and three acts composed by Antonio Cesti to a libretto by Giovanni Filippo Apolloni. It was first performed in the court theatre at Innsbruck in 1657. The story is set in Babylon on the shores of the Euphrates and is a convoluted tale of mistaken identities—a female protagonist who disguised as a man eventually regains her lost lover, and a man disguised as a woman who causes another man to fall in love with him. In several respects it resembles the plot of Cesti and Apolloni's earlier opera L'Argia and foreshadows Apostolo Zeno's libretto for Gli inganni felici (1695) and Metastasio's libretto for L'Olimpiade (1733). The first Italian staging of La Dori was in Florence in 1661 for the wedding

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  • La Dori overo La schiava fedele (deutsch etwa: ‚Doris oder Die getreue Sklavin‘, original: „Doris Die Glükkhafte Leibeigne Dienerin“) ist eine Oper in einem Prolog und drei Akten von Antonio Cesti (Musik) mit einem Libretto von . Sie wurde am 19. Februar 1657 im Hofsaal in Innsbruck uraufgeführt und war im 17. Jahrhundert eine der meistgespielten Opern. (de)
  • La Dori, overo Lo schiavo reggio (Doris, or The Royal Slave) is a tragi-comic opera in a prologue and three acts composed by Antonio Cesti to a libretto by Giovanni Filippo Apolloni. It was first performed in the court theatre at Innsbruck in 1657. The story is set in Babylon on the shores of the Euphrates and is a convoluted tale of mistaken identities—a female protagonist who disguised as a man eventually regains her lost lover, and a man disguised as a woman who causes another man to fall in love with him. In several respects it resembles the plot of Cesti and Apolloni's earlier opera L'Argia and foreshadows Apostolo Zeno's libretto for Gli inganni felici (1695) and Metastasio's libretto for L'Olimpiade (1733). The first Italian staging of La Dori was in Florence in 1661 for the wedding of Cosimo III de' Medici, Grand Duke of Tuscany. It subsequently became one of the most popular operas in 17th-century Italy. The opera was revived three times in the 20th century, beginning in 1983. (en)
  • La Dori, ò vero La Schiava Fedele (Dori eller Den trogne slaven) är en italiensk opera (dramma musicale) i en prolog och tre akter med musik av Antonio Cesti och libretto av . (sv)
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  • (en)
  • Dori in her slave chains (en)
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  • Opera (en)
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  • La Dori (en)
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  • La Dori overo La schiava fedele (deutsch etwa: ‚Doris oder Die getreue Sklavin‘, original: „Doris Die Glükkhafte Leibeigne Dienerin“) ist eine Oper in einem Prolog und drei Akten von Antonio Cesti (Musik) mit einem Libretto von . Sie wurde am 19. Februar 1657 im Hofsaal in Innsbruck uraufgeführt und war im 17. Jahrhundert eine der meistgespielten Opern. (de)
  • La Dori, ò vero La Schiava Fedele (Dori eller Den trogne slaven) är en italiensk opera (dramma musicale) i en prolog och tre akter med musik av Antonio Cesti och libretto av . (sv)
  • La Dori, overo Lo schiavo reggio (Doris, or The Royal Slave) is a tragi-comic opera in a prologue and three acts composed by Antonio Cesti to a libretto by Giovanni Filippo Apolloni. It was first performed in the court theatre at Innsbruck in 1657. The story is set in Babylon on the shores of the Euphrates and is a convoluted tale of mistaken identities—a female protagonist who disguised as a man eventually regains her lost lover, and a man disguised as a woman who causes another man to fall in love with him. In several respects it resembles the plot of Cesti and Apolloni's earlier opera L'Argia and foreshadows Apostolo Zeno's libretto for Gli inganni felici (1695) and Metastasio's libretto for L'Olimpiade (1733). The first Italian staging of La Dori was in Florence in 1661 for the wedding (en)
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  • La Dori (de)
  • La Dori (en)
  • La Dori (sv)
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