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Playing Off of The 4 of Home Key, or WS Below Dominant, or b7 Setup!!!

The document discusses various minor scale patterns and substitutions that can be used over dominant seventh chords. It provides the note names for different minor scales including the natural minor, harmonic minor, and melodic minor scales. It also discusses blues scales and the melodic minor substitutions that can be used over dominant chords.

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Charles Austin
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47 views5 pages

Playing Off of The 4 of Home Key, or WS Below Dominant, or b7 Setup!!!

The document discusses various minor scale patterns and substitutions that can be used over dominant seventh chords. It provides the note names for different minor scales including the natural minor, harmonic minor, and melodic minor scales. It also discusses blues scales and the melodic minor substitutions that can be used over dominant chords.

Uploaded by

Charles Austin
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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scale subs notes

Playing off of the 4 of home key, or WS below dominant, or b7


setup!!!
all willies trick work
can play any minor scale
Blues - if u play blues you end on new 1 on the 5
F Ab Bb C Eb
b7 b9 #9 11 b13
nat min
F G Ab Bb C
b7 1 b9 #9 11

Db Eb
b5 b13

harm min
F G Ab Bb C
b7 1 b9 #9 11

Db E
b5 13

Mel min
F G Ab Bb C D E
b7 1 b9 #9 11 5 13
Playing minor off of the b6 of home key over dom7 - Altered
subs
min 5 note scale

ab Bb
b9 #9

blues scale - Ab

Cb

cb
3

Db Eb

Db eb
b5 #5
Gb

b9

b5 b13

nat minor - ab Bb cb
b9 #9 3

db eb fb gb
b5 b13 13 7

harm minor -ab Bb cb


b9 #9 3

db eb fb
b5 b13 13

mel minor - ab Bb cb
b9 #9 3

db eb
b5 b13

f
b7

g
1
g
1

Play blues scale off of b7 of home key (minor 3rd up from


Dom7)
G7 - Bb Db Eb F
#9 #11 b13 b7

Ab
b9

Melodic Minor Subs


over G7 dominant chord, use melodic minor (minmaj7arp) (also possible with harmonic
minor)
1/2 above (Ab) = 7th mode super loc/alt
ws below (F) = 2nd mode Dorian susb2
up 4th (C) = 5th mode mixolydian b6
up 5th (D) = 4th mode lydian dom

Pat Martino minor conversions


Mix and match these
Over A7#5

Em7 = ii .. up 5th
Bbm7 = bvi .. up 1/2 step
Gm7 = iv ws below
Dbm7= vii major 3rd
Notice all subs are a diminished chord
over G7
Dm = ii .. up 5th
Fm = iv ws below
Abm = bvi up 1/2 step
Bm = vii maj 3rd
Em7 = vi . up 6th
A min pent. up ws
Cmin pent (mix b6) = up 4th
.

G phyrgian/major (Ebmaj, b3 of home key) G Ab Bb C D Eb F


G WT Scale
G Diminished
Ab maj pent - Ab Bb C Eb F
b9 #9 11 b13 b7
Ab min pent
A min pent
A maj pent
Bb min pent - Bb Db Eb

Ab = Altered

#9 b5 b13 b7 b9
B min pent
C min pent (mix b6) = up 4th

Db min pent
Db Lydian dominant
Db Maj pent
D mel min
D min pent
Eb maj pent
Eb min pent
E min pent
F mel min
F min pent
F maj pent
Pent subs over V7
maj pent off 1 b2
2
5
b6
6
G Ab
A
min pent off - b2
2
b3
off home key b6
6
b7
Ab A
Bb

b5
b2
Db
3
7
B

b6
b3 of home key
Eb
4
5 b6 6
1
2 b3 3
C D Eb E

b7
4
F

Practice - Over G7
G

Ab

Db

Eb F

G Abm Am Bbm Bm Cm Dm Ebm Em Fm

Lydian Chromatic concepts


Lydian Augmented scale 1 2 3 #4 #5 6 7 - play off the b5 of iim7b5
3rd V

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