100% found this document useful (1 vote)
285 views

Sibelius Layout and Formatting

Instruction for sibellius formatting

Uploaded by

fatcode27
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (1 vote)
285 views

Sibelius Layout and Formatting

Instruction for sibellius formatting

Uploaded by

fatcode27
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 9

Notes

2013

Sibelius Advanced Layout and Formatting


Katie Wardrobe
Midnight Music

Layout and Formatting Tips The Golden Rules


First things first Creating a well laid-out score What not to do

3 3
3 3 3

How to approach layout and formatting 3 Steps to Better Layout


Step 1 Step 2 Step 3

4 4
4 4 5

Other tips
First page margins Hide empty staves Exceptions

5
5 6 6

Test-printing Parts
Viewing parts Formatting parts Multirests Creating custom parts

7 7
7 7 7 8

More information

Layout and Formatting Tips


As someone who frequently trains teachers, composers, arrangers and students in the use of Sibelius, I find that one of the most misunderstood topics in Sibelius is layout and formatting of scores. Its important to know that Sibelius can do most of the hard work for you. Many people spend hours manually adjusting distances between staves and systems or adding in page breaks only to find that everything goes awry if they decide to add extra bars, notes or other musical objects into their score at a later stage. All of the manual formatting work theyve done is messed up and they need to start the process all over again! Computer programs are designed to make life easier, you just need to know the best way to harness Sibeliuss inbuilt layout and formatting power.

The Golden Rules


First things first
There are two golden rules of layout:

Make your score clear to read Avoid collisions

Creating a well laid-out score


A score that is well laid-out.

is clear and easy to read (see the golden rules above). Conductors and performers will be happy and rehearsal time will not be wasted has staves that are justified: that is, on every page, the top of the uppermost staff is at the same position (except perhaps the first page) and on every page, the bottom of the lowest staff is at the same position has a uniform distance between staves and systems displays consistency in design and positioning of objects

There are of course exceptions to these rules, but as a starting point, they are good guidelines to follow.

What not to do
First of all, there are a few things to avoid. As a general rule:

Dont drag staves Dont add lots of Page Breaks and System Breaks (it messes with Sibeliuss natural formatting tendancies) Avoid the use of the Make into Page or Make into System features ..except in special circumstances

How to approach layout and formatting


Im sure that every composer, engraver, copyist and publisher has their own unique step-by-step approach to laying out their score. Heres one approach (my own):

Set up your score Switch to Panorama view (Sibelius 5 and later) and dont give layout another thought until youve entered all notes, lyrics, chord symbols, first and second-time endings, technique markings and so on. When youre working in Panorama view, it doesnt matter whether you drag staves apart to make your score readable whilst your working on it it will not affect the layout of your printed score. If youre using Sibelius 4 or earlier, resist the urge to drag things around at this stage When youve entered everything, go back to page view (press Shift+P) and take a close look at your score If everything looks beautiful, clear and easy to read, press print! In the more likely event that you have at least some collisions (objects are crashing into one another, notes are overlapping etc), follow the 3 Steps To Better Layout below (inspired by Daniel Spreadburys Tutorial on Layout and Formatting on the Sibelius blog)

3 Steps to Better Layout


Step 1
Ensure that all staves and systems are reset to their default position. This is especially important if you could not resist the urge to drag staves apart whilst you were inputting notes!

Select your entire score by pressing Ctrl+A or !A Go to Layout > Format > Unlock format With the score still selected, go to Layout > Staff Spacing > Reset space above staff (Layout > Reset space above staff in Sibelius 6 and earlier) and then Layout > Staff Spacing > Reset space below staff (Layout > Reset space below staff in Sibelius 6 and earlier)

Step 2
Change the staff size in Document setup (if necessary). Go to Layout > Document Setup and adjust the number next to Staff Size:

If you change the overall staff size of your score it can have a dramatic effect on layout Change the staff size if you need to create more room between staves and systems in your score Its a good way to reduce the total number of pages for your score and can create precious space on individual pages especially in scores with a large number of instruments

Step 3
If you need to, increase the space between staves and space between systems by using the Staves window in the Engraving Rules dialogue (dont drag the staves with your mouse!)

Go to Appearance > House Style > Engraving Rules (House Style > Engraving Rules in Sibelius 6 and earlier) Select Staves in the list on the left Increase the number in the spaces between staves and spaces between systems boxes. If youre using Sibelius 6 or later, you can also adjust the extra spaces for groups of staves and extra spaces below vocal staves. Experiment with the settings and go back to your score to check the effect of each change. Its best to find space settings that works for the whole score if you can

Other tips
First page margins
If you need to, you can create special margins on the first page to accommodate the title, composer and lyricist and copyright information

Sibelius 5 and later: use the Staff Margins options in the Document setup dialogue to customise the margins on the first page

Sibelius 4 and earlier: heres one of the exceptions to the dragging rule. If you need more space for your title, drag the top stave on the first page down gradually until it looks right

Hide empty staves


You can hide any empty staves to save space in your score. This is especially useful in large orchestral and band scores where some instruments dont play for a number of bars. To hide the empty staves:

Select a system (or the whole score) and go to Layout > Hiding Staves > Hide Empty Staves (Layout > Hide Empty Staves in Sibelius 6 and earlier)

Exceptions
There are always exceptions to rules. It is unlikely that adhering rigidly to the above approach will solve the layout problems of every score. Dragging staves: you may need to drag staves in exceptional circumstances. Some common scenarios include:

Scores which have some very high or very low notes in just a few bars (or systems) for one instrument in your score (ie. in the 1st violin or Alto 2 parts) and they are colliding with the objects in an adjacent stave Vocal scores that start with multiple verses of lyrics which is followed by a page with a single-line refrain
6

In Sibelius 5 and earlier, its best to set default distances that work for the majority of the score first. Then, drag staves only where necessary. In Sibelius 6 and later, you can probably resolve these problem areas by using the Optimize Staff Spacing feature rather than dragging staves:

Select the system (or page) and go to Layout > Staff Spacing > Optimize (Layout > Optimize Staff Spacing in Sibelius 6)

Test-printing
Its advisable to print out one or two pages of your score to check that the staff size is OK. You want to make sure its readable enough for the conductor and/or individual performers. Its very difficult to tell what a printed score will look like until you see it actually printed out. A computer screen can be misleading!

Parts
Viewing parts
As soon as you create a score in Sibelius, the parts automatically exist. To view the parts in your score, do the following:

Sibelius 7 - click on the small plus sign on the right side of the screen (just below the Ribbon), then click on the part name Sibelius 6 and earlier - click on the Parts drop-down menu in the middle of the Toolbar and then click on the part name

Formatting parts
Fix the layout and formatting of each individual part as before.

Multirests
Multirests appear in a part when there are multiple bars of rest. You can turn multirests on (or off) as follows:

Go to Layout > Breaks > Auto Breaks Check the Use multirests box and adjust the other multirest settings if necessary and click OK

Creating custom parts


You can create custom parts from your score - a part that includes a specific set of instruments together. Custom parts are useful for the following instances:

When you want to create a piano/vocal score for a soloist from a larger ensemble score (such as a big band arrangement) When you want to create a rehearsal score for one section or family of the ensemble: ie. a string score from an orchestral score, a choir score from a large symphonic score, a vocal score from a conductors musical theatre score and so on

To create a custom part, go to Parts > New (Window > Parts > New Part in Sibelius 6, 5 and 4)

Select the stave/s you need on the left side and click Add to part. Click OK when youre done. A new part will be created and will appear in the list of parts.

More information

Sibelius Reference manual: see particularly Layout & Formatting and Music Engraving Sibelius blog: www.sibeliusblog.com

You might also like

pFad - Phonifier reborn

Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


Alternative Proxies:

Alternative Proxy

pFad Proxy

pFad v3 Proxy

pFad v4 Proxy