Project In: Rafael Palma Elementary School
Project In: Rafael Palma Elementary School
PROJECT IN
MSEP
Submitted by:
DAVID JAM B. PUNZALAN (Acce II)
Submitted to:
The view of most scholars (see organology) is that the term "brass
instrument" should be defined by the way the sound is made, as above, and
not by whether the instrument is actually made of brass. Thus one finds
brass instruments made of wood, like the alphorn, the cornett, the serpent
and the didgeridoo, while some woodwind instruments are made of brass,
like the saxophone.
There are two other families that have, in general, become functionally
obsolete for practical purposes. Instruments of both types, however, are
sometimes used for period-instrument performances of Baroque or
Classical pieces. In more modern compositions, they are occasionally used
for their intonation or tone color.
Three valves control the flow of air in the single horn, which is tuned to F or less commonly B♭.
The more common double horn has a fourth valve, usually operated by the thumb, which routes
the air to one set of tubing tuned to F or another tuned to B♭. Triple horns with five valves are
also made, tuned in F, B♭, and a descant E♭ or F. Also common are descant doubles, which
typically provide B♭ and Alto F branches. This configuration provides a high-range horn while
avoiding the additional complexity and weight of a triple.
A crucial element in playing the horn deals with the mouthpiece. Most of the time, the
mouthpiece is placed in the exact center of the lips, but, because of differences in the formation
of the lips and teeth of different players, some tend to play with the mouthpiece slightly off
center. Although the exact side-to-side placement of the mouthpiece varies for most horn
players, the up-and-down placement of the mouthpiece is generally two-thirds on the upper lip
and one-third on the lower lip. Usually, the player produces higher octave notes by increasing lip
pressure on the mouthpiece. Excessive pressure, however, makes the horn sound forced and
harsh, and decreases player endurance by about half.
TROMBONE
The trombone
(/trɒmˈboʊn/;[1] Italian
pronunciation: [tromˈboːne])
is a musical instrument in the brass family. Like all brass instruments,
sound is produced when the player’s vibrating lips (embouchure) cause the
air column inside the instrument to vibrate. Nearly all trombones have a
telescoping slide mechanism that varies the length of the instrument to
change the pitch.
The word trombone derives from Italian tromba (trumpet) and -one (a
suffix meaning "large"), so the name means "large trumpet". The trombone
has a predominantly cylindrical bore like its valved counterpart the baritone
and in contrast to its conical valved counterparts, the euphonium and the
horn. The most frequently encountered trombones are the tenor trombone
and bass trombone. The most common variant, the tenor, is a non-
transposing instrument pitched in B♭, an octave below the B♭ trumpet and
an octave above the B♭ tuba. The once common E♭ alto trombone became
less widely used as improvements in technique extended the upper range
of the tenor, but it is now enjoying a resurgence due to its lighter sonority
which is appreciated in many classical and early romantic works.
Trombone music, along with music for euphonium and tuba, is typically
written in concert pitch in either bass or tenor clef, although exceptions do
occur, notably in almost all brass-band music where tenor trombone is
presented as a B♭ transposing instrument, written in treble clef.
BARITONE