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Pangalay Dance

The Pangalay dance style is an intangible cultural heritage of the Philippines with roots in Asian classical dance. It has the richest movement vocabulary of Philippine indigenous dances and is considered a classical form. Pangalay can be danced to any music by anyone in the community and expresses emotions through hand and arm gestures in a slow, refined style.

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1K views2 pages

Pangalay Dance

The Pangalay dance style is an intangible cultural heritage of the Philippines with roots in Asian classical dance. It has the richest movement vocabulary of Philippine indigenous dances and is considered a classical form. Pangalay can be danced to any music by anyone in the community and expresses emotions through hand and arm gestures in a slow, refined style.

Uploaded by

jesus villamor
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Pangalay Dance

The Pangalay Dance Style of the Philippines: An Intangible Cultural Heritage

A Paper by Ms. Ligaya Fernando-Amilbangsa, Intangible Cultural Heritage Practitioner


Artistic Director, Alun-Alun Dance Circle

Pangalay: literally, a gift offering.

Pangalay also means “temple of dance”• in Sanskrit. Pangalay antedates Christianity and Islam
in the Philippines. Among Philippine indigenous dances, the pangalay dance style has the richest
movement vocabulary. It is the closest to a classical form.

Pangalay is a living link to the traditional dance cultures of Asia with closest affinity to the
Indian, Javanese, Thai, Burmese and Cambodian styles of classical dancing.

A living artifact such as the pangalay must be danced constantly, or else it dies. The beauty of
the pangalay dance style is that it can be danced to any type of music, Asian as well as Western.
The pangalay can be danced by anyone and everyone in the community, regardless of age or
status. It can be danced in any space, be it on a boat, on a house-porch or on the beach.

Pangalay is basically pure dancing. A sense of anti-linear time pervades the slow, refined,
meditative, elegant and almost hypnotic movements. The continuously flowing or seamless
unfolding movement from a central core is consistent with the pre-modern mode and Eastern
sense of multi-level or anti-linear time that has no definite beginning or ending. This is opposed
to the Western concept of time or the metempsychosic scale.

The dancer’s serious face with downcast eyes creates a mask-like expression, matched by a
countenance generally refined, dignified but without stiffness.

The dancer’s torso is slightly bent forward, a stance seen in Asian dance forms, Unnecessary hip
and torso movement is tabbo. The knees are slightly bent or flexed. Male dancers also splay the
knees. Performers achieve the illusion of lightness by the very subtle springing motion from the
knees.

Feeling is conveyed chiefly through the arms and hands. Fingers are customarily held stiffly
together and curled back towards the dancer’s wrists with controlled energy, thumbs apart and
thrust forward. Fingers may flick, flip or flutter. The janggay or metal claws amplify eloquent
hand movements.

Shifting arm positions to assume new postures or gestures is accomplished by turning the hands
from the wrists with one outward-inward movement, two outward-inward motions or inward-
inward motions.
Postures and gestures suggest emotional metaphors and symbols that offer a broad range of
expression. For instance: outstretched palms and arms can stand for salutation, welcome or joy;
or, as a symbol of things in nature such as a palm leaf, flowers, sea waves, the wind, sea weeds, a
bird and a flutter of wings.

Crossed arms and hands at chest or face level signal a protective or playful impulse. Overhead
hand positions display triumph, extreme happiness, jubilation or sudden increase in status.

Sculpture-like poses, cross-legged and kneeling stances, coupled with flowing gestures with the
arms extended farthest away from the body convey a sense of infinite distance and timelessness.

“Motion in stillness, stillness in motion. This is the Pangalay.

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