THE ULTIMATE MIX REFERENCE & ANALYSIS PLUGIN

METRIC AB MANUAL© 2019 ADPTR AUDIO

www.adptraudio.com
 THE ULTIMATE MIX REFERENCE AND ANALYSIS PLUGIN

Metric AB enables you to compare your mix to other mixes with a simple click of
the A-B button.

It is designed to provide you with an easy, elegant workflow. From drag and
drop file loading (you can even drop multiple reference tracks in one go), instant
volume matching, cue and loop functions, to more advanced features including
multiple analyses (spectrum, correlation, stereo pan) to industry compliant
loudness and dynamics metering.

The trick with using reference files is to be able to instantly hear the contrast
and differences between your mix and the kinds of sounds you aspire to. Adding
visual feedback from multiple analyses types gives you the visual confirmation of
the audio information you are hearing. In environments where listening facilities
are less than ideal, it’s even more important to be able to do visual checks to
ensure the sound is really there.

Using both audio and visual information provides you with the feedback you need
to make better decisions on what to do with your mix to get the best possible
results. When you are armed with this level of precision and detail, it empowers
you to move forward with confidence, knowing that each creative decision is
backed by undeniable evidence.

Mix with confidence

Marc Adamo : ADPTR AUDIO

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CONTENTS

How to use Metric AB...................................................................... 4

Operation...................................................................................... 4
Signal Flow.................................................................................... 4
A-B button..................................................................................... 4
Stream Gain Faders........................................................................ 5

Playback ............................................................................................... 6
Loading a Reference Track and Toggling the A-B stream.................... 6
Volume & loudness matching........................................................ 8
Playback Mode ........................................................................... 9
Cue and Loop............................................................................11
Waveform Zoom.........................................................................12
Filters.......................................................................................13
Output meters ..........................................................................16
Monitoring options......................................................................17
Compact GUI.............................................................................18
Presets.....................................................................................18
Missing Files..............................................................................19
Automation and MIDI controllers..................................................20

Analyses Modes................................................................................. 22
Common controls.......................................................................22
Draw Transport..........................................................................23

Spectrum ........................................................................................... 24
Zoom.......................................................................................26
Filter - Zoom Link.......................................................................27

Correlation ......................................................................................... 28
History Graph............................................................................29
Scroll........................................................................................29

Stereo Image....................................................................................... 30
Dynamics ............................................................................................ 32
Dynamics Display.......................................................................32
Dynamics Target........................................................................33

Loudness ............................................................................................ 34
Settings Panel .................................................................................... 36

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 HOW TO USE METRIC AB

Operation
Load Metric AB onto the Master Bus of your DAW. You can place it AFTER any
mastering plugins to loudness match the levels of commercially mastered
reference tracks.

Signal Flow
The DAW signal is monitored through the A STREAM, and is represented by the
BLUE color in the various meters. The REFERENCE tracks are monitored through
the B STREAM, and are represented by the ORANGE color in the various meters.

A-B button
Toggle the audio stream between A (the DAW) and B (the reference tracks).

The buttons turns blue when the A stream is selected and orange when the B
stream is selected.

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Stream Gain Faders
Use the A and B-Stream faders to turn the
volume up or down by +/- 18 dBs.

This can be useful when you have

already used the loudness match
function to change the gain for
individual B stream tracks, and you
want to calibrate all of them to a
new A stream mix. Another scenario
is when you are mastering your mix,
and it is getting incrementally louder
as you add more compression and
limiting, so you only need to adjust
the B-fader a little to keep all the B
tracks level matched.

All changes to the gain are pre-analysis, so you will see exactly what you hear
in the analysis display.

In some DAWS (Logic etc.) you will need to pass audio through
Metric AB before you can hear the B stream reference tracks. This
can be an inherent condition of using Audio Unit and VST FX, as
they like to preserve CPU by switching off plugins when there’s no
audio at the input.

Tool Tips
You can turn on tool tips from the Settings
menu.

Now when you hover over a button or area,

you will get info about the functionality.

Access the Settings Menu: Click on the icon on the toolbar, next
to the page name.

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 THE ULTIMATE MIX REFERENCE & ANALYSIS PLUGIN

Playback
Click on the Playback Icon to view the Playback page.

Loading a Reference Track and Toggling

the A-B stream.
Drag and drop audio files onto a track slot or onto the wave display area.

Select a track by clicking one of the 16 track select buttons.

When a B track is selected, the stream automatically switches to the B stream.

You can also toggle the stream back and forth by clicking on the track name. This
saves you having to move back to the A-B button.

If you prefer to select a B-track while still listening to the A stream, then use
shift-click to select the B track.

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You can also drop several tracks at once onto a slot, and the tracks will be loaded
into sequential slots.

To Load a folder of tracks, click on the preset menu and select ‘Import Folder
Contents’ Please note, this will overwrite all the currently loaded tracks.

To manually edit the order of tracks, click on the track name and drag
it to a new position. If the destination is already occupied, it will swap
places with the new track.

Click the track menu button to show the options.

Load Audio - Use this option to load a track from Finder / Explorer.

Show In Finder - Opens finder window at the file location.

Remove Track – Use this to remove any unwanted tracks.

Clear Track Settings – this resets all track parameters including Cue and loop
points, playback mode, volume and loudness matching.

Organise Tracks - Groups tracks together and shuffles empty cells to the end
of the list.

File Formats: PCM Up to 192k/32bit

MAC : WAV / AIFF / MP3 / FLAC / AAC / M4a
WIN : WAV / AIFF / MP3 / FLAC

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 THE ULTIMATE MIX REFERENCE & ANALYSIS PLUGIN

Volume & loudness matching

Use the loudness matching function to automatically match the volume of the
reference track to the A stream.

Click on the loudness “Match” button, it will now start calculating, it takes
approximately 4 seconds to work its magic, at which point the gain will be
adjusted to match the A stream.

You can reset the gain by double clicking the gain value box.
You can manually adjust the gain by up to +/-18dBs in 0.1dB increments.

[Note:] Audio must be playing through both the A and B streams

to enable matching. If no audio is present in either A or B streams,
it will display a “Matching Failed” message.

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Playback Mode
There are four playback modes to choose from, each has its specific purpose.
Select the option from the menu.

Latch, Cue, Sync, Manual

1. Latch to DAW transport. This is the default playback mode; it uses the
DAW transport to play/pause the reference track.

2. Cue aka “Cue Latch”. As per Latch mode, this uses the DAW transport to
play/pause the reference track, but it adds an important extra feature that
works with the Cue points. It restarts playback from the selected Cue point
when the A-B button is toggled to select the B stream, or when the track
button is clicked.

3. SYNC to DAW timeline. As per Latch mode, this uses the DAW transport to
play/pause the reference track, but it also sets the playback position of the
track from the DAW timeline.

E.g. If you start the DAW at 2m30secs the B stream will start playback at
2m30secs.
IF the DAW is set to loop a specific region, then the B stream will also
loop.

In some cases, you may need to start the track from a later position in the
timeline. To do this, put the DAW play-head to the desired position and click
the “SET” button. You will notice the sync time has updated to show the same
time.

You can also manually edit the time for Hours, Minutes, Seconds and
Milliseconds.

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 THE ULTIMATE MIX REFERENCE & ANALYSIS PLUGIN

Click the “Reset” button to reset the time to zero, i.e. bar 1.

TIP: Use SYNC when you are comparing alternative mixes of the
DAW track. BOUNCE YOUR MIX AT THE START OF THE SESSION, THEN
COMPARE BACK AND FORTH AS YOU MIX TO SEE THE CHANGES.

4. Manual. Use the Play / pause and Rewind buttons to playback the track.

You can apply the current Playback Mode to all tracks by selecting ‘Apply to All
Tracks’.

[Note:] For Wavelab and other non-linear editors: Sync mode

doesn’t work because the host is not broadcasting the necessary
transport information to the plugin.

[Note:] Offline bounce for the B stream is not currently available.

If you want to render the B stream, please use real-time bounce.
Some hosts will render silence when B stream is selected, others
such as Pro Tools will render garbled audio.

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Cue and Loop
To set a Cue point, click on one of the four Cue buttons. A cue point will be set at
the current playback position. You can now click on the button to start playback
from that position. You can also select the cue by clicking on the Cue markers on
top in the waveform overview.

You can also drag and drop cue points onto the waveform. To edit a cue point,
just drag it to the desired position. To delete it, right click on the Cue button (or
the Cue marker on the waveform) and select “Delete Cue”.

Each track can have up to 4 cue points.

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 THE ULTIMATE MIX REFERENCE & ANALYSIS PLUGIN

Loop
To loop an area click on the Loop button, this will set the loop marker to the
current playback position. To edit the loop, drag the marker to the desired
position. There are several handy tools to edit the loop length and position.

To retain the loop size and move it to a new position, drag the loop while clicking
on the horizontal orange loop bar.

You can quickly resize the loop using the double and half size buttons.

If you have set a loop to a specific bar length e.g. 16 bars, you can move the loop
forwards or backwards by 16 bars by clicking the “Forwards” and “Backwards”
arrow buttons. This is especially useful for quickly moving around a track with
precise BPM loops.

Waveform Zoom
Zoom in and out on the waveform with the scroll wheel. You can also move left
and right using the scroll bar and the scroll wheel on the mouse.

Alternatively, you can drag the highlighted area in the top waveform to reposition.

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Filters

Use the filters to Isolate the key frequencies of the mix and focus on the details.

Click the Filter button to toggle the filters on/off and choose from 12, 24, 36 or
48 dB filter slope from the menu.

Toggle the 5 presets to quickly audition Sub, Bass, Low Mid, Mid and High
frequency ranges.

This automatically turns the filters on and off.

If you edit the value for the button you can save the setting as default by right-
clicking and select ‘save as default’. Now when you toggle it will retain the new
values, otherwise it will revert to the original default.

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 THE ULTIMATE MIX REFERENCE & ANALYSIS PLUGIN

To reset to full range again, just click on Reset.

When the mouse hovers over the analysis graph, it now shows a cross-hair with
the frequency in Hz and the Midi Note. It also shows a 3rd value, relevant to the
analysis mode. For spectrum, it also shows the volume in dBs, for correlation it
shows the phase, and for stereo image it shows the L-R pan position.

The highlight area represents the selected frequency range, exactly what you
are hearing through the filers.

You can also graphically edit the high and low frequency values.

Move the mouse to the edge of the selected range, the cross-hair will hide and
you can now drag the boundary to the desired frequency.

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You can select above or below the current range by clicking anywhere inside the
desired range.

Or edit the values in the High and Low boxes.

You can now edit the high and low values for the filter directly on the graph.
Move the mouse to the edge of the selected range, the cross-hair will hide and
you can now drag the boundary to the desired frequency.

You can select above or below the current range by clicking anywhere inside the
desired range.

Zoom Hz: Manual zoom using the high and low number boxes.

The zoom can automatically follow the selected range by clicking the LINK icon.
If you select above or below the range, you will see the zoom update the display
to show the new selection. YOU can quickly jump to the range above or below
using the high-band and low-band buttons.

Zoom dB: Manual zoom using the high and low number boxes. Toggle the Zoom
by clicking the button.

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 THE ULTIMATE MIX REFERENCE & ANALYSIS PLUGIN

Output meters
The output meter shows the volume as Peak
and RMS for both channels.

You can toggle the scale between the default

full-range (-48dB) or zoom into the top section
(-18dB).

Just double click anywhere on the meter scale

between the blue and orange volume meters.

Use the zoomed scale to get a higher resolution / more detailed

look when mixing and mastering.

The digital readout shows the highest Peak and highest RMS levels.
Click either one to reset the values for that channel.
Click on the RMS or PEAK label in the centre to reset both channels.

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Monitoring options
Click one of the monitor option buttons to monitor the signal.

Mono = collapsed from Stereo

L = Left channel only
R = Right Channel only
Sides = just the “difference” information extracted from the Mid/Side signal.
S = Solo In Place. Use this to Solo either the left of right channels in
isolation. Select S and then click either of the L or R button

TIP: checking the mix in Mono is important for broadcast

compatibility.

TIP: It’s easier to check the volume levels of all components in

the mix in Mono.

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 THE ULTIMATE MIX REFERENCE & ANALYSIS PLUGIN

Compact GUI
 Click on the Compact GUI icon to switch to a
smaller interface.

 The track select buttons are now located under

the A-B button.

 Hover the mouse over the button to preview

the full name of the track.

 Select the Cue using buttons 1-4.

 Use the A and B-Stream faders to turn the
volume up or down by +/- 18 dBs.

1 Click on the Compact GUI

icon to return to the full size
GUI.

Presets
This is ideal for when
you want to collect all
the audio files together
in one place as a
backup or to transport
to another computer to
carry on mixing.

It is also ideal if you

want to send your
reference tracks to
another mix engineer.

[Note] Metric AB does

not come with any
presets

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Import Folder Contents: Select this to open a folder of audio files. If there
are more than 16 audio files in the folder, Metric will only load the first 16 files.

Open Default Preset: Shortcut to open the default preset.

Save As Default Preset: Save the current preset, including ballistics settings
and FFT preferences etc.

Locate Missing Files: Launches the missing files helper to help you locate
missing files.

Missing Files
When a file cannot be found, a missing files dialog window will open. This can
happen when loading a preset or recalling a session.

If you know the folder, click “Search in folder”.

Metric will search for all missing files, so you can relink multiple missing files this
way.

A search bar is displayed while Metric is searching; if you want to cancel the
search click the “Cancel Search” button.

To select the file individually, click “Locate”.

When a file has been located, it will display the replacement path and name.

When you have finished, click “Finish”

If you don’t care, click “Skip all” to kick the can down the road.

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 Automation and MIDI controllers
Metric AB works with the host automation and controller assignment systems.

This is primarily designed to provide hands on use via hardware controllers, and
to this end the controls are limited to the following.

»» A-B switch
»» A Stream Fader
»» B Stream Fader
»» Filter High Frequency
»» Filter Low Frequency
»» Filter Mode
»» Filter Preset Select
»» Filter Slope
»» Filter Zoom Lock
»» Loudness Match (For Selected Track)*
»» Meter Zoom (toggle between regular and hi-res)
»» Mini-Mode (toggle between compact and full size GUI)
»» Select TAB (playback and various analyses windows)
»» Stereo Mode (Stereo/Mono/ L / R /Sides)
»» Select Tab (1-5) Playback Page / Spectrum / Correlation / Stereo Image /
Loudness / Dynamics
»» Selected Track (1-16)
»» Select Cue (Cue 1-4) (For Selected Track)*
»» Track Gain (volume) (For Selected Track) *.

* (For Selected Track) This keeps the focus on the current track, and
streamlines the set up process for controllers.

MIDI assignments: mapping a button

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An example setup for Stereo Mode – you can set up four momentary action
toggle buttons to represent the four buttons shown on the GUI.

Function High Value Function Low Value

Mono 30 % Stereo 1%
Left 50 % Stereo 1%
Right 80 % Stereo 1%
Sides 100 % Stereo 1%

You can use a similar method for cue and track select, assigning one button per
track, but this time, make sure the high and low numbers are identical for each
button, so to avoid any toggle action.

Cue Select Values:

Function High Value Low Value

CUE 1 1% 1%

CUE 2 30% 30%

CUE 3 60% 60%

CUE 4 100% 100%

Track select values:

Track Select
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
#

Value % 1 8 15 20 25 35 40 48 54 58 64 70 77 86 92 100

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 Analyses Modes

Common controls

Display : Choose from

Single = shows selected stream only; select the stream using the A-B button.

Dual = each audio streams has its own panel.

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 Layered = both audio streams in one panel, the selected audio stream is shaded and
bold.

Draw Transport
The three buttons are from top to bottom;

Play/Pause, Reset and Latch to DAW transport.

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 THE ULTIMATE MIX REFERENCE & ANALYSIS PLUGIN

Spectrum
Click on the Spectrum Icon to view the spectrum meter.

Toggle the Peak, Hold and Average buttons to enable them in the visualizer.

Peak and Average show the respective values while the Hold button enables the
“Peak Hold” time shown below the button.

You can edit the ballistics of each component by dragging the number boxes
below each button.

You can save your favourite Ballistic values as defaults, so they will
load automatically each time you open a new instance of Metric AB.
To do this, right click on any of the ballistics number boxes, and select “Save
as Default” from the menu. It will save all three values for the current analysis
mode.

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 TIP: When using the layered display, we recommend comparing
just Peak or Average to avoid information overload.

TIP: Set the Average time to INFINITE to build up a picture of the

average frequency content throughout the track.

Select the graph type from the menu.

Choose from Plot, Octave, 3rd Octave, Critical and Multi-Band.

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 TIP: Try changing the graph type from Plot to Octaves; it can be
easier to compare the bars side by side.

Zoom
There are two zoom functions available; these can be toggle on/off by clicking
the buttons “Zoom dB” and “Zoom Hz”. Drag the number boxes below each one
to edit the high and low values. Dragging automatically turns them on. This
enables you to quickly zoom in and out of the filter range. If you want to toggle
the zoom on/off to move back to full range view, just click the Zoom Hz button
once more.

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Filter - Zoom Link
Additionally you can use the Filter - Zoom Link function to link the Hz values to
the Filter values by clicking the Zoom Link icon. Now editing the value in either
the zoom or the filter boxes changes both together.

Zoom only works for Plot mode.

Also available in Correlation and Stereo Image.

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 Correlation
Click on the Correlation icon to access the Correlation meter.

There are two types of correlation meters available, Meters and History.

Select “Meters” to use the Multi-Band Correlation. This measure the stereo image
across different frequency ranges. It enables us to see which parts of the signal
are in or out of phase.

Select the graph type from the menu. Choose from Plot, Octave, 3rd Octave,
Critical and Multi-Band.

Toggle the Range, Hold and Average buttons to enable them in the visualizer.
Range and Average show the respective values while the Hold button enables
the “Range Hold” time shown below the button. You can edit the ballistics of each
component by dragging the number boxes below each button.

Full Band Correlation is displayed on the right side of the screen.

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History Graph
Select “History” to use the correlation history graph. This enables us to see the correlation values
over a time period. This is useful for getting an overview of a whole track, or catching the odd
anomaly that could be missed using a momentary visualizer.

Scroll
This allows you to set the window size for the history graph between 10 seconds and 10 minutes.
When scroll is off, the window will adapt to fit the elapsed time up to a maximum of 10 minutes.

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 Stereo Image
Click on the Stereo Image icon to access the Stereo Image meter.

The Stereo Image page allows us to check the comparative left-right gain of
the track over the whole frequency spectrum to make sure the mix is balanced.
It gives you a visual view of the sonic movement of your track in the horizontal
plane.

The frequency range is represented by the Y-axis, while the power is on the
X-axis (Left – Right).

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There are two components, Range (darker color fill), and average (the lighter
color line). Below the graph is an overall image rating.

In the examples above, the B stream (right side) shows a track that has even
stereo pan distribution. While the A stream (left side) shows a track processed
through Logic’s stereo Image plugin. This produces the wide distribution of
energy in alternate frequency bands.

Select the graph type from the menu. Choose from Plot, Octave, 3rd Octave,
Critical and Multi-Band.

Toggle the Range, Hold and Average buttons to enable them in the visualizer.
Range and Average show the respective values while the Hold button enables
the “Range Hold” time shown below the button. You can edit the ballistics of each
component by dragging the number boxes below each button.

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 Dynamics
Click on the Dynamics icon to access the dynamics meter.

Dynamics are measured using an algorithm called PSR. This process analyses
peak volume and short-term loudness data to measure the dynamic range of a
signal.

In general: higher PSR values represent higher dynamic range,

lower values represent low dynamic range and compression.

Dynamics Display
Top: The current PSR as a large 3-digit number.

Middle: Description matching the PSR value to help make

associations between dynamic qualities and PSR values.

Low: % Above Target: This shows the % of time that the

audio is above the dynamic target.

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Dynamics Target
Set the target Dynamic value using the number box, or choose a preset from the
menu as a guideline. The target value is shown as a red line on the history
graph. When the level drops below the line, the meter shows a red fill to indicate
that the dynamic range is lower and more compressed than the target.

TIP: As a general guideline to dynamics, the PSR can vary quite

a lot depending on the composition and the elements of a track. A
drumbeat is much more dynamic than a sustained pad, so you can
expect to see this kind of variation throughout a track.

A target of 12-14 is great for a mix-down.

A target of 7-8 will result in a loud master that still retains dynamics.
A lot of dance music can be as high as 5-6, but above this tends to sound very
squashed.
Scroll: This allows you to set the window size for the history graph between 10
seconds and 10 minutes.
When scroll is off, the window will adapt to fit the time accrued up to a maximum
of 10 minutes.
Auto Scale: Use this to automatically scale the Y Axis (PSR) to best fit the range
of measurements.
Pre/Post Filter: You can measure the dynamics of a selected frequency range
by activating the Post Filter button. Now you can select the frequency range
using the filter unit. Perfect for analyzing bass dynamics and other specialist
ranges.

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 THE ULTIMATE MIX REFERENCE & ANALYSIS PLUGIN

Loudness
Click on the Loudness icon to access the Loudness meter.

Loudness Meters: Use the Loudness meters and history graphs to measure
Integrated (I), Short Term (S) and Momentary loudness (M), along with True
Peak, RMS and PLR. Toggling the “Meters/History” button accesses the different
meter pages.

On the meters page, you can set a target LUFS, as well as see all the loudness
types. Alongside S, I and M, are Loudness Range, PLR (Peak to Loudness ratio)
to measure dynamic range as well as True Peak and RMS.

Loudness Target: Use the Target menu to set a loudness target, including
EBU R128 and other broadcast standards. When target values are exceeded,
the meters will show red to indicate the overs.

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The history page allows you to select any combination of I, S and M in the
visualizer.
When using layered display, we recommend comparing just one or two
selections of I, S or M to avoid information overload.
Scroll: This allows you to set the window size for the history graph between
10 seconds and 10 minutes.
When scroll is off, the window will adapt to fit the time accrued up to a aximum
of 10 minutes.
Auto Scale: Use this to automatically scale the Y Axis (PSR) to best fit the
range of measurements.

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 THE ULTIMATE MIX REFERENCE & ANALYSIS PLUGIN

Settings Panel
Click the settings icon to access settings for analyses
mode.

You can also click the settings button on the tool panel,
It’s the icon with the three white lines.

General Settings: These settings are turned on and off by the user for this instance of the
plugin.

Graphics Latency: Click this box to synchronise the audio with the visual display for the
spectrum, correlation and stereo image meters.

Under normal circumstances, the visuals lag a few milliseconds behind the audio. This is
natural because the meters have to analyse the sound before they can display the results.

When the visual results are totally in sync with the audio, you will see what you hear, and
hear what you see. The difference in perception is sublime, transients and decaying sounds
are instantly recognisable as everything becomes sharper. Now your mind is able to make
better associations between the audio and visual images.

TIP: Because this introduces a lag in the audio, it’s not ideal for situations
where you are using a MIDI keyboard to record performances.

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 Tool Tips: Click this box to activate Tool Tips. Hover over a button, display
or any area of the plugin to find out what it does and how it works.

B Track Selection Resets Analysis: Click this box if you want the analysis window to reset
when you select a new B track. This is useful when you only want to see data for the current
track and not previous tracks as to avoid any confusion. This works for History graphs,
Loudness and Dynamics measurements.

Default Settings: These settings are saved and become the defaults for when a new
instance of the plugin is opened.

Load Default Preset: If you have created a default preset, then select this to automatically
load the default preset when a new instance of the plugin is opened.

Meter Zoom: This will make the Output Meter scale to 18dB range instead of the factory
default of 48db. You can also click on the meter itself to toggle between 18db and 48db at
any time.

Default Playback Mode: Select the default playback mode for all B tracks between Latch,
Cue, Sync and Manual. Now when you load a B track, it will automatically select this mode
for you, so if you prefer to use Cue or Sync modes as your default, select it from the menu.

Ballistics Defaults: Set the default values for all three FFT meters (Spectrum, Correlation
and Stereo Pan. Click ‘Factory Defaults’ to restore the factory default values.

You can also set the defaults on the analysis panel by right-click on any of the ballistics
values and selecting ‘Save Ballistics as Default’ from the menu.

FFT settings: Selects the Current settings for the FFT window and the Multi-band mode.

You can save the current settings as the defaults by clicking ‘Save FFT defaults’ or ‘Save
Multi-Band Defaults’. Click the ‘Factory Defaults’ button underneath each group to restore
the factory settings.

Filter Bank: Edit the default settings for the filter bank and filter slope. Please note, this does
not edit the current settings. You can edit the current settings for the filter button presets and
save them as defaults by right-clicking then preset button and selecting ‘Save as default’.

CLOSE: Closes the Settings window. You can also use the Settings Icon button on the
analysis menu to close the window.

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CREDITS and THANKS
Concept & Design: Marc Adamo
Development: Stephen Blinkhorn, Theo Burt & Mark Collins.
Thanks to all the beta testers and the amazing team at Plugin Alliance for all
the help getting us here.

www.adptraudio.com