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Pattern Practice

This document contains musical notation and patterns related to jazz guitar solos and progressions. It includes standard tuning notation, diagrams of solo lines over chord progressions with fret numbers and rhythmic notation, and suggestions for variations depending on the tempo of the tune. The progressions move through three zones and include ii-V-I lines as well as melodic and mixolydian sounds.

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Callum Eggins
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0% found this document useful (0 votes)
108 views

Pattern Practice

This document contains musical notation and patterns related to jazz guitar solos and progressions. It includes standard tuning notation, diagrams of solo lines over chord progressions with fret numbers and rhythmic notation, and suggestions for variations depending on the tempo of the tune. The progressions move through three zones and include ii-V-I lines as well as melodic and mixolydian sounds.

Uploaded by

Callum Eggins
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Patterns

Standard tuning
 =C =A
 =G =E
 =D =B
 = 120
Ari Live Gig Tevin Penticott solo break ( whole line is a B lydian dom sound)
1st Zone 2nd zone B7 3rd zone
B F7 (no5) B7 3rd inv Faug B

        
                      
1 2 3 4
 
       
       


el.bs.

11 13
11 16 14 16 14
 14 12
13 11 13 16
12 14 16
15
14
13 16 15 11 15
14 16
13
18 14 12 1614 12
11 14 13 17 14 11 15
12 16 12

E melodic/ B mixo b13


      
5 6

           
     

18 19 21 19 18 6 7 9 7 6
20 19 16 8 7
 21 17 19
14
9 5 7 9
2

(  =   )
fast ii-V-I line ben wendel standards wit friends Pent Up House zone 2 zone 3
around 1:16mins in
zone 1
 7
      8 9
  
               
14 12 11 12 10 14 19 16
11 10 11 14 13 11 12 14 16
 13 12 14

 alt fingering
10
      11 12  
                    
14 19 16
17 16 17 15 16 19
 16 15 13
18 17 19
16 19 18 16 17 19

If tune is medium swing then play all over the V I

 13
  14  
     
                
14 19 16
17 16 17 15 16 19
 16 15 13
18 17 19
16 19 18 16 17 19

1/6
 = 180
C Tivon Pennicott - St Thomas VI7
 15
 16

   

   
14 12 11
14 13 12

iim7 G bebop fro 6th V7 I6


17    18
    19

                       

11 9 10 9
 14 15 10
15
14 12 10
15
9
14 12 10 9 10 12 10
15 14 13 11 12 15 15

20 21 22

Nutty Ben Wendel


Dm G7 Cm7 F7 Bb/Dm chr G7 6th leap into
( Bb scale line chromatic lead into 5 or think Bb major bebop scale)

 23 24       25

                
3
19 18 17 15
20 19 17 15 19
 20 19 17 15
20 19 18 17 18
15
20

Cm7 F7 Dm/Bb G7 (whole tone melodic minor) Cm7 ( A dim sound F7 whole bar)

       
26 27        
28 29

       

   
3 
15 17 17 (17) 17 15
17 19 20 19 17 18 16 15 14 17 14 15
 19 16
18 17

 30 31



2/6
reflection joe lovano
Bbm7 Eb7 Ab

 32 33
 
               

19 18 17 16 15 15 (15)
19 19 18 17 17
 17 15

half speed Bbm7 Eb7 Ab



 34  35 36

                 
  

19 18 17 16 15 15 (15)
19 19 18 17 17
 17 15

 37 38



Everything happens when your gone brecker


 = 128
F7alt Ebm7b5(b9) Bb

   
    
39 40
 
          
   
13 16 19 17 15 13
14 14 18 18 16 14 15
 12
13
18
19 13
18
16 19
17

SIMILIAR IDEA BEtter for bass fingering F7 alt Bb


Ebm7b5 Db dim G whole tone

   
   
41 42
  
        

19 17
18 21 18 20 18
 18 21
19
18 21
19 21 19 20

Joe Lovano Reflections


Bbm7 Eb7 A7
 43 44
   
               
 
11 13 11
12 14 14 12 14 13 12 11 15 11 13
 15 14

3/6
Ab Gb7 F7 E7 Bbm7 Eb7
Eb dim (Em6)
3

45
      46
             


                     
15 18 16 13 13 11
12 12 14 17 18 14 14 16 12 13
 12 16 15 13 14 13 16 14 13

 47



Reflection lovano another line


Bbm7 Eb7 Ab
Bbm7 Dbdim kinda outlines A7
                  
          
48 49 50

      
17 19 20 17 18 19 16 16 21 19 18 17 18
17 17 18 20 18 18 16 18 21 20
 17 18 20 20 18 19

ONE BAR VARIATION Eb7 Ab


Bbm7

   51
              52       
  
17 19 20 17 18 19 16 17 18
17 18 20 18 18 21 20
 17 20 20

ONE BAR VARIATION Eb7 Ab


Bbm7

   53
              54       
  
17 19 20 17 16 21 19 18 17 18
17 18 20 18 21 20
 17 20 20

ONE BAR VARIATION Eb7 Ab


Bbm7

   55
              56       
  
17 19 18 19 16 20 17 17 18
17 18 20 18 18 21 20
 17 20 20

4/6
ONE BAR VARIATION Ab
Eb7
 57
            58      
      
17 19 18 19 16 17 18
17 18 20 18 16 18 21 20
 18 20 18 19

 59



Another line from reflections


Cm7b5 F7 Bbm7

 60 61
            
             

       
3
21 24 21 22
22 22 20 22
 18 20 19 18 20
20 18 19 20 22 19 20 22 23 23 23 20
17 18 17 20

Bbm7 Eb7 Cm7 F7

 62 63 3
                    
3
13 11 12 11 10 9 10 12
 22 20 13 10 11 13 13

 64



Stablemates - Intro Walter Smith III


(Bb7 VI7 chord leading back) Ebm7 Ab7 DbM7
Resolve on the 5 or #4
 65 66
         67    68

                      
3 3
3

 13 13 16
14 15 16 17 18 17 16 15 14
15 14 12
16 14 16 16 13 17 15
15 16

5/6
  OCTAVE UP 
69 70
         71    72

                
3 3
3
16 17 18 19 20 19 18 17 16
15 15 18 17 16 14
 17 18
18 16 18 18 15 17 18
16

DIF FINGERING
 73 74
         75     76

  
 
              
3 3
3
16 17 18 19 20 19 18 17 16
18 21 17 16 14
 20
17 18
18 16 18 20 18 15
20
21 19 17 18
16

 77



Pent Up House Tivon Pentivott


G G
(F# add 4 ) Am7
 78 79

           
    
1 6 4 2 3 1 0 4 7 6 5
3 4 4 3 2

Am7 D7 G
(GM7)
 80 81 82
   83
       
           
     
6 2 6 5 2 4 2 3 1 2 11 10 9 8 11
7 4 4 7 11 11 11
 5 4 5

Am D7 Gbm to Gbmaj triad G G Dm7


   
84 85
      
86
       
87 88
  
     
    
9 9 6 10 13 18 16 14 11 7 4 9 11 7 4 6
7 4 7 5 (5)
 5

 89

6/6

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