C0DA
C0DA
by Michael Kirkbride
Table of Contents
I. My name is Jubal-lun-Sul
II. The Velothiid
III. Pilgrimage
IV. The Wheels of Lull
V. She said Yes!
VI. That’s never gone wrong
VII. I think I need a cat
VIII. Take it slow
IX. The Digitals say...
X. A special child
XI. Land of the Indoril
XII. Pulse Plaza
XIII. Heroes of Tomorrowind
XIV. They’re buying it
XV. Whatever threatens our world
XVI. Jubal and Vivec
XVII. Jubal loses his hands
XVIII. Cosmic bachelor party
XIX. Jubal and Lorkhan
XX. Numidium
XXI. The Digitals return
XXII. Dark Elf Ninjas
XXIII. Audience with Memory
XXIV. Hlaalu Hir’s end
XXV. The High Alma’s daughter
XXVI. Amaranth
I. My name is Jubal-lun-Sul
My name is Jubal-lun-Sul, of House Sul, whose name is known and hear throughout Scathing Bay
and the Nine times Nine Thrones. Our lord is High Alma Jaroon, of House Jaroon, whose city is the
First City of the New North, where all who Went Under from Landfall settled and made peace with
the Worm, when we were not Eighty and One separate peoples but One, carrying the tibrols on our
backs together and cutting tunnels by the light and heat that all mer wore, with equal dust in every
mouth. My family’s name comes from the first child born in the Velothiid, Haeko-dol-Sul, and, like him,
we are salt merchants. Our crest is the tusk of the bat-tiger. Our bloodline is registered by C0DA.
The Digitals say we come from another star, but so many have forgotten. I have not, for my lineage
granted me audience with Memory, and I have spoken with the Wheels of Lull. I have seen proof, as
any who come Up during Landfall Season, when the winds die down enough Above that all may
make pilgrimage under the banner of Vehk and Vehk. Though many Above have renounced Memory,
they too remember.
II. The Velothiid
VELOTHIID. We’re beneath the surface of the moon, in a connected series of mighty caverns. A great
city sprawls across it all — ghettoes cut into the rock, marketplaces gathered by every silvery lake,
quartz-and-ruby temples rising up and out to protect the various tunnels that lead into and out of the
caverns. Color washes up everywhere: red lamps, cultivated farms of glowing lichen and moss, and
the signal lights of drifting sload-bag transports and vigilant wasp-riders. Throngs of hooded citizens
huddle everywhere, occasionally holding up the palanquins of silk-laden merchants. Mechanical
servitors float about, their torsos leaving trails of blue-white mathematical symbols. This civilization
stretches even across the ceilings, with gigantic stalactites serving as the houses of the nobility, dotted
with lit windows and crest-banners, sporting pictures of strange beasts and Daedric scripture.
HOUSE SUL UNDER-MANOR. “DAY”. On one of the stalactite manors, a larger one, sporting the
crest-banner of a curved tusk. This is the House of Sul, and home to our protagonist. A lone figure
watches the city below him from atop a balcony terrace.
JUBAL-LUN-SUL, a noble of thirty-some years, draped in a kimono adorned with stylized bat-
tigers, his long grey hair unbraided. A small torch floats close to him. There is an archway on
the terrace that leads to a dimly-lit room.
JUBAL-LUN-SUL: That’s a lie. I want more that just that. I want a very great thing for the whole of
my people. Call it a messiah complex, if you must. I wouldn’t unless you were recognized under
CODA, at least not out loud, but in all honesty I probably deserve it. But, then, salt merchants are
given to them. It’s in our blood.
JUBAL and his torch walk by inside, through an “observatory ”— really, a hall whose
centerpiece is an orrery made of brass and jewel-wrought wire, its planets numbering 16.
JUBAL-LUN-SUL: After all, the only thing that stopped the Worm was salt. They have an especial
vulnerability to it. At least, they used to, but they adapt. But, then, the Worm always adapts. It’s in
their agenda.
HOUSE SUL UNDER-MANOR, EAST OBSERVATORY. Various scrying-mirrors line the room,
their magic barely registering faded views of the tunnels that surround the city. Reaching from
the ceiling are multi-jointed “telescopes” that we can assume lead up and out onto the lunar
surface.
JUBAL-LUN-SUL: They made these tunnels at first. Then we got here and did the rest. But we’re not
supposed to be here at all. At least that’s what I keep telling myself. See, the thing about the Worm is
that they can’t go Up. But we can. We do. Make that: some of us do, the ones that are allowed.
JUBAL stands before one the mirrors, lost in thought. Nearly indiscernible is a massive tunnel, a red
lamp illuminating only a small portion of it.
JUBAL-LUN-SUL: Everyone is allowed during every Landfall Season. Most of us decide not to, since
it’s more dangerous Up there than it is down here. But I had to go. I come from a very, very old
family. The oldest families. The progenitors. One with bells on, too, I might add. The “first child born
Under” and all of that. In other words, we’ve got history. If I hadn’t gone? The Digitals would’ve stuck
their fingers into things. No one wants that. No one. That’s probably why I have waited so long to
have a child of my own.
III. Pilgrimage
VELOTHIID WORM TUNNEL. TIME INDETERMINATE. A worm tunnel, vast, its walls and
floors riddled with “safety holes” for people to jump into if a Worm approaches. Three small
figures are seen in the distance, two dunmeri males, one holding a red lamp, and a floating
servitor.
We can see the figures now: a younger JUBAL, dressed for topside in robes, bonemold
breastplate, goggles, open-faced helm. He holds the lamp, a long pole with a neon-red grub
squirming on the end. The other dunmer is HLAALU HIR, similarly dressed, but his armor
shows all the signs of money: amber lacquered edges, badges of station, a small front cape
with the crest of his House: a set of scales. The servitor is an ancient model: a grinning death’s
head of gold and lapis-lazuli eyes, and a vestigial spinal cord drawing a line in the dust of the
tunnel floor.
HLAALU HIR: Just a bit more ore, Jubal, don’t worry. Keep your lamp up.
JUBAL-LUN-SUL: What for, muthsera? The Alma said the Worm wouldn’t interfere, Hlaalu Hir.
HLAALU HIR: Don’t be so formal. Anyways, it’s more like it can’t. I’m not worried about them. And the
lamps are for two things. Us to see and the tunnel racers to stay away. They don’t like the red.
They’re closer now, and caught in the red light of their lamp. JUBAL looks sheepish or sick;
HIR is smiling.
JUBAL-LUN-SUL: I don’t like it, either. My head. It’s swimming. Should I go second brain?
HLAALU HIR: Your boat, Jubal, you float it. I wouldn’t, not this close to the surface. Lunar interference
and all. Wouldn’t want secondary visions.
JUBAL-LUN-SUL: What?
Closer. Parts of the tunnel have switchboards embedded into them. The SERVITORis scanning
them. JUBAL and HLAALU are wrapping their faces in breather scarves.
HLAALU HIR: We’re here. Tokbox, ready the hatch. And stop clicking, it’s annoying. Ready, Jubal?
JUBAL-LUN-SUL: My fear was/is illusory. (Why am I talking like this?) Ready, muthsera, open the
hatch. (No wonder the rest never come.) Let me see.
IV. The Wheels of Lull
LUNAR LANDSCAPE. They’ve left the tunnel and walked out onto the surface, dunes of red,
sugary sand leading as far as the eye can see. JUBAL and HIR stare into the sky. It is a vision
of apocalypse. A smaller, silver moon sits to the upper left, orbiting a shattered planet. The
planet Nirn. “Earth.” Cracked open like an asteroid field still held into spherical shape by forces
unknown. The right side of the planet moves from rock and fire to ghostly cosmic clockworks.
The planet has a “skeleton” inside it, an interlocking system of gears and pistons and wheels,
half-here, half-not, overlaid with a nebula of mathematical equations that we can’t understand.
JUBAL-LUN-SUL: Is ...?
HLAALU HIR: Yeah, it is. Pretty, right? The Wheels of Lull, the other star, et cetera and all that, Nirn,
where we came from. Take a good look because we’re not coming back.
SERVITOR: CLOCK.
HOUSE SUL UNDER-MANOR. “DAY”. Back in one of the great halls of House Sul, present
day. JUBAL and HIR are talking, walking towards a nearby tea room. They are dressed in
vaguely military-like garb.
HLAALU HIR: Jubal, my velocipede is already vibrating. I have to be somewhere and it knows it. The
labor unions have become worse than the mirror logicians used to be. Want this, get that, but hey,
look, then this will happen. ‘New North’, my ass. You know the deal, so just tell me what she said.
JUBAL-LUN-SUL: Hir, listen. She said ‘yes’. She’s agreed to marry me.
HOUSE SUL UNDER-MANOR. TEA ROOM. As servitors bring tea from a larger Samovar
servitor, JUBAL turns around, his excitement now unchecked.
JUBAL bear hugs his friend as tea-holding servitors float nearby trying not to look awkward.
HLAALU HIR: Three times makes it real, brother. Congratulations! But what business does a salt
merchant’s son have to offer the High Alma —
They both finally take their tea. JUBAL’s smile is almost unbearable.
JUBAL takes a seat at a giant table. Behind it falls the crest-banner of the the Tusk of the Bat-
Tiger.
HLAALU HIR: You’re too excited, and I’m really sorry. But this is Sacrifice Season,
HIR has seated himself as well. The two friends talk to each across a ridiculous distance.
JUBAL-LUN-SUL: What? No! My family already took care of them! That’s partly why she said yes! It’s
all about what Memory picked me for! I must hunt and kill a Numidium!
VI. That’s never gone wrong
The red sands of the moon. The wreckage of Nirn is eclipsed by the towering Numidium, a
robot made of brass spikes, from head to toe, doing battle with the tiny various gods and
heroes that oppose it. Some fly on strange beasts, some fly of their own accord, some use
beam-weapons from a bygone age, others blast magic from their hands, eyes, or chests. The
NUMIDIUM is winning this battle, though. Easily. This should be obvious by all of the
smoldering bodies that litter the area near its flaming feet.
ALD SOTHA. CORNER CLUB. "DAY". [...] One of the bad parts of town. The buildings here are
in disarray, some of them with upper floors that lean dangerously to the side. Beggars and
nix-hounds play in the trash. In the center of it all is a mead hall or gentlemen’s club of ill-
repute.
At least it’s clean inside. Nobles rub shoulders with tunnel-scavengers. Servitors and demons
bring drinks and scrib-meat platters to anyone that asks. There is a dead body sitting alone in
a booth that everyone just ignores. JUBAL and HIR are seated at the best of the tables, their
food somewhat better, with candles. A small statuette of a forgotten Khajiiti warrior is bolted
into the center of the table, holding up a small bell.
HLAALU HIR: People see different things Upside. Let’s do another round, maybe. Fuck the cats.
JUBAL-LUN-SUL: Muthsera, they were here before we were. I need one of them. You own this
Corner Club, so you know which kind I’m talking about.
HLAALU HIR: On the house this time around. You got a fear of needles?
VELOTHIID WORM TUNNEL. TIME INDETERMINATE. A worm tunnel. Different than before.
JUBAL and HIR, dressed in rags, in a circle of red lamps.
HLAALU HIR: Nice. Take it slow. Let it hit when it wants to and not before. If you rush skooma —
JUBAL exhales and holds a hand out toward a wall. His eyes are filled with dreams. His nose
is bleeding.
MOONSIDE. The ghostly wheels inside the dead planet. The gears have eyes in them.
Women’s eyes. Women’s eyes with slits for irises.
ALD SOTHA MARKETPLACE 44. "DAY". A sprawling, multi-leveled market, similar in style to
the Hanging Gardens. JUBAL and HIR are wearing their robes of nobility. It makes most of
the other dunmer scatter out of their way. Hundreds of dunmer are here, merchants, thieves,
along with bull netch crime bosses with servitor heads attached on so they can communicate.
Encampments of khajiit shushing scamps away.
JUBAL-LUN-SUL: Impressive.
HLAALU HIR: Me, neither. Outpost of my family’s holdings, off the books. But if you’re going through
with this —
All the merchants have ducked behind their stands. A large ghostly finger points towards
JUBAL and HIR [...]
[...] Two fingers invade [...] accusatory, pointing at Jubal. The throngs of the marketplace are
either bowing or fleeing the scene.
HLAALU HIR: If they start playing instruments, don’t worry. They love music. Even if it sounds
different to you than it does to —
DIGITAL FINGER 1: I STARE WITH EACH NEW WINDOW. STRIDE-HEAT OF THE MARKET THIS
IS GOD’S CITY, DIFFERENT FROM OTHERS.
JUBAL moves forward, towards the fingers, moving through the throngs that have prostrated
themselves.
HLAALU HIR: ...and sometimes they just get things out of order.
HIR isn’t getting closer. A harsh golden glow begins to overtake the left side of the panel.
JUBAL takes no notice. Instead, he points towards us.
JUBAL-LUN-SUL: Okay, then, but just keep it down. You’re scaring all of them. You’re really noisy.
The golden glow is brighter and JUBAL closer. HIR cups his hands over his mouth, trying to
get his friend’s attention.
DIGITAL FINGER 2: ALL LANGUAGE IS BASED ON MEAT. DO NOT LET THE SOPHISTS FOOL
YOU.
The golden glow is only brighter. JUBAL holds his hands out and to the side, indicating the
rest of the marketplace and its people.
JUBAL-LUN-SUL: I know my scripture, spooky finger ghosts. Move along now and let these
people do their thing here. It’s a marketplace, for God’s sake.
HLAALU HIR: I’m serious, Jubal. They’re not scared of the Digitals. They’re —
JUBAL-LUN-SUL: Now shush, all of you! There’s no need to bow or prostrate yourselves. There are
no castes here! At least not today. ... Get up! All of you! I’m just looking to buy a weapon!
VIVEC in all his glory, inside a golden sun. His body is half-blue and half-gold, his head is set
aflame. In one hand he carries Muatra, his spear. In the other he carries a small shield made of
bug-shell. He floats in mid-air in the lotus position. [...]
VELOTH. DAY. A bright, blue day full of sunshine. There’s a volcano in the distance, dormant.
A small chimeri boy-child of golden skin looks that way, his hand on the head of a sleeping
nix-hound.
JUBAL-LUN-SUL: At this point, I should probably explain who that was. He was a child of my people
back on our old planet. A special child. He saw things differently than most.
RED MOUNTAIN. The boy VIVEC and three friends, two more boys and a girl, all golden-
skinned, are sneaking through one of the volcano’s cavernous tunnels. Lava in places. Of
course. They’re kids. They don’t care.
JUBAL-LUN-SUL: His name was Vivec. He and some of his friends found a special cave. His friends’
names were Sotha Sil, Almalexia, and Nerevar.
The boy VIVEC has broken apart what looks to be a heart-shaped stone. He’s giving portions
of it to the others, whose skins are taking on a blue hue. They seem more afraid of this than
he is.
JUBAL-LUN-SUL: Inside that cave, they found a special stone and that gave them powers. Then they
returned to their respective houses. They thought they could hide what they found.
Ridiculous picture of the boy VIVEC holding his portion of the stone above his head as he
grows into the size of a giant! He has now become half gold, half blue.
JUBAL-LUN-SUL: Well, his friends did. But Vivec knew his country was plagued by demons. So he —
VELOTH. MOURNHOLD. THE DOCKS. DAY. A gray, dusty day full of falling ashes. A teenage
VIVEC, golden if he wasn’t so dirty, homeless, fierce, huddles with others of his kind next to
the docks.
JUBAL-LUN-SUL: The real problem is which story really does him justice. Especially when they all
do.
VIVEC and the others look up as soldiers of House Indoril march by, golden masks on,
feathered plumes, kicking up more dust.
JUBAL-LUN-SUL: Vivec was the leader of a teenage gang of gutter-snipes. They’d do almost
anything for money. Kill, steal, whore themselves out. They were catamites with a grudge and a skill
set to focus it.
One of the soldiers, bearing a badge of rank, looks down at VIVEC and cocks his head. We
can see they’re talking. We can also tell that VIVEC is almost close to spitting onto the
soldier’s mask.
JUBAL-LUN-SUL: Then one day, Vivec spoke to a soldier that saw something inside him. Something
special. This soldier called himself Nerevar, of House Indoril. (They’re not around anymore. This is an
old story.)
VELOTH. MOURNHOLD. DAY. An older VIVEC, now dressed as a soldier himself, but no
helmet. Instead he sports a mohawk and, holding a spear that he’s cobbled together, faces
down an approaching army of ash monsters.
JUBAL-LUN-SUL: House Indoril was collecting an army to chase the demons out of their lands. Vivec
became one of their generals, but still refused to take their House name. He fought so well that
eventually he became a god, so no one thought it wise to mention the above might be an insult.
XII. Pulse Plaza
JUBAL-LUN-SUL: But let’s just go with my favorite. Every kid born in the Velothiid knows this
version. I mean, it’s free on dreamsleeve streaming.
TELEVISION SET HEAD TWO: WIDEST. SELECTION. LOWEST. PRICES. BEST. QUALITY.
CLOSER near the edge of Pulse Plaza, ALANDRO SUL [...] is running from a TELEVISION
SET HEAD. ALANDRO has a camera around his neck and a signal watch around his left
wrist, the source of the SOUND FX.
ALANDRO SUL: ALANDRO SUL TO THE BIG V! COME IN COME IN COME IN!
ALANDRO ducks into a nearby alleyway, the TELEVISION SET HEAD close behind. A
frightened skooma-junky in the foreground notices them both approaching.
POV of ALANDRO’s camera, as the TWO TELEVISION SET HEADS stalk towards him —
each speaking together [...]
In a blur, the two TELEVISION SET HEADS are entangled in metal pipes from the alleyway
walls. VIVEC hovers between them, smiling down at ALANDRO. Dust settles to the ground.
VIVEC: SOMETHING STRANGE, THAT’S FOR SURE. APOLOGIES FOR THE DELAY, OLD PAL, BUT
YOU CAN TURN YOUR SIGNAL WATCH OFF NOW.
On VIVEC who’s turned around, looking out the alley, his eyes glowing with his
APOTHEOVISION. ALANDRO sheepishly clicks his signal watch off.
VIVEC: I WOULD’VE BEEN HERE SOONER, BUT THE MIMEODEMIC HAS SPREAD ALL THE WAY
— (concentrating with his hyper-sight) — WELL, LOOKS LIKE ALL THE WAY TO MIDTOWN NOW.
ALANDRO SUL: TWO WEEKS UNTIL I RETIRE FROM THE NEGATZETTE AND THIS COMES UP?
VIVEC and ALANDRO, the former still in concentration.
VIVEC, floating, turns to ALANDRO, smiling, holding out a Muatra for his friend to hold on to.
ALANDRO SUL: DON’T GET ANGRY, V, BUT MAYBE WE SHOULD CALL, YOU KNOW
VIVEC: NEREVAR?
VIVEC: HA. WHICH ONE? GET READY. WE’RE HIGH ENOUGH TO DIVE IN.
[...] [T]he five members of the Pseudo-6th-House (VIVEC, ALMALEXIA, SOTHA SIL, MOLAG
BAL, and the URJ and ALANDRO SUL descend in a stable freefall through a monstrous
white-hot interdimensional “tunnel” made out of liquid video. The walls of this tunnel look like
waterfalls of elongated, gelatinous television screens, alien news channels, monster-filled
sitcoms, and mercurial infomercials all stretching past at terminal velocity. ALANDRO looks
quite terrified. He’s being held stable by his best pal, VIVEC. Most of the super-people all look
like they are having fun: VIVEC is grinning, the UR and MOLAG BAL are cracking jokes.
SOTHA SIL and ALMALEXIA look stalwart and determined, but otherwise remain unshaken
as they fall. This kind of stuff is completely normal to them.
SOTHA SIL: Everyone remember your pop-up blockers! Have your info-virals protex engaged! Lock
and load! Almalexia will help us maintain physical and mental coherency!
ALMALEXIA: We’re freefalling in pure television foam, team! Ten seconds until the LZ and don’t
waste one of them looking around or you risk pleasure-center infection!
SOTHA SIL: ALMALEXIA AND I ARE STABILIZING A POCKET REAL, BROTHER! WE’LL HIT
EARTH-TYPE GROUND! WE’RE ALSO WORKING ON GETTING THAT TINGLE OUT OF
EVERYONE’S HEAD VIA OUR HYPER-AMYGDALAS!
MOLAG BAL: DAGOTH UR, QUIT STARING INTO THE SALES FOAM!
THE UR: BUT EVERYTHING’S ONLY $19.95!
[...] [LJiquid video tunnel, [...] VIVEC and ALANDRO SUL. The UR can be seen in the
background.
VIVEC: DON’T WORRY ABOUT TOMORROWIND, ALI, I CALLED IN THE NTH-GEN BOTTLEBOT
RESERVES TO KEEP THE CITIZENS FROM HURTING EACH OTHER. IT’S ONLY THE
INTELLECTIVE. RELAX AND ENJOY THIS, (beat) AND, AS ALWAYS, TRY NOT TO TAKE A
PICTURE OF THE UR WHEN HE’S STARING RIGHT AT YOU, OKAY, PAL? WE HAVE ENOUGH
ON OUR HANDS WITHOUT HIS SHARMAT SHOWING UP, TOO. LEXIE, SITREP!
On MOLAG BAL and the UR, SOTHA SIL sliding through the SALESFOAM in the
background.
MOLAG BAL: SNIFF. SO NOW I’M SMELLING PRODUCT PLACEMENT. CUTE, LEXIE.
[...] THE INTELLECTIVE [...], bionic despot of a parallel reality. His “body” is in two halves: the
massive bone-white jelly-mass of his GIGANTIC BRAIN-HEAD being lowered into a
hundred-legged servo-walker. His bloated “face” splits into a perpetually maniacal grin, his
eyes held open by hooks and wires to survey the cosmic channel surfing that is his home.
There are several [gel screens] in the liquid video landscape around The Intellective [and]
each screen tuned to a different, hideous entertainment. [This is] supposed to be disorienting. I
mean, we are inside an alternate dimension ruled over by a brain-monster from the future.
GEL SCREEN: A manager screams: “What are you people staring at? Get back to work!”
GEL SCREEN: A small fly on stage doing a standup comedian routine to an audience of spiders , a
story covered by Sardy Sardukar , reporter of the Nth-Gen-Bottiebotley Beat.
GEL SCREEN: Spider audience, asking the same thing: Eat or Enjoy or Eat or Enjoy?
A creeper shot of Arkicide Demonicus, Daedric Fresh Printz of Bad Press looks both Sardy
above and VIVEC below, cuz 2 eyes suddenly.
VIVEC: (on gel screen) ZERO METHOD ZERO, PEOPLE! THE LAST TIME WE LET YAGRUM
BAGARN THE INTELLECTIVE SLIP INTO OUR UNIVERSE, HE TRIED TO UPGRADE EVERYONE
INTO ONE OF HIS OWN GIGANTIC METADELUSIONS!
Back in the main spread, serpentine Tsaesci in lab coats and goggles oversee the upgrade of
The Intellective, their lord and master.
THE INTELLECTIVE: Oh, I don’t know. Can’t you JUST make it all more new?
VIVEC CLOSE UP, separate gel screen than above, but same shot.
VIVEC (on gel screen): THIS TIME AROUND, HE’S GOING FOR CONSUMER CULTURE AT THE
CELLULAR LEVEL, WHICH IS ALMOST AS BAD!
JUBAL-LUN-SUL: Needless to say, we did. We bought the whole shebang. Then time stopped making
sense. Tomorrowind became that rotoscope deal you might fondly remember. And we ended up
living on the moon. Rather, inside it. But I’ve found a way out. Alandro Sul was my ancestor. The
escape route. I have the same confidence he did. It’s in my blood.
ALANDRO SUL: OKAY, SO IT WAS WEIRD. BUT THEN, SO WAS EVERYTHING WHEN YOU
WERE VIVEC’S BEST BUDDY. IN THE FORTY SOME ODD YEARS THAT I HAD KNOWN HIM, I
COULDN’T TELL YOU THE NUMBER OF DIFFERENT SPECIES OF WEIRD I’VE SEEN. YOU NAME
IT, AND SOME VILLAIN HAD PROBABLY TRIED IT, WORN IT, USED IT, ATE IT, SUBJECTED
THEMSELVES OR THE WHOLE WORLD TO IT. AND VIVEC ALWAYS PUT THE WEIRDNESS
DOWN. ALWAYS. HELL, I REMEMBER SEEING THE NEWSREELS OF HIM OVER TEARING
STUFF UP IN ATMORA WHEN I WAS A LITTLE BOY, OVER AT THE WHIRLING SCHOOL
THEATER. THEY’VE SHUT IT DOWN NOW. ONLY HAD ONE SCREEN. A BIG ONE, BIGGER THAN
GOD’S FACE IT SEEMED, BUT ONLY ONE SCREEN. THE MULTIPLEXES HAVE TAKEN THOSE
KINDS OF THEATERS OVER THESE DAYS. LOOKING AT THE PSEUDO-6TH-HOUSE FIGHT THE
ANU-MINIONS OF THE INTELLECTIVE’S ALIENTERTAINMENT, WHERE EVERYTHING WAS A
WASH OF MEDIA BLITZ AND NEWS BITES AND VIDEOGAME DYE ALL COME TO LIFE... WELL, I
GUESS YOU CAN SEE WHERE I’M GOING WITH THIS. ANYHOW. ANYHOW, I RETIRE IN TWO
WEEKS, HAVING BEEN A STAFF PHOTOGRAPHER AT THE TOMORROWIND GAZETTE FOR
TWENTY-SEVEN YEARS. I STILL REMEMBER MY FIRST PICTURE OF VIVEC, SAVING A NETCH-
ZEPPELIN FROM CRASHING INTO THE PNEUMATIC TUBES ABOVE PULSE PLAZA. IT’S NOT
THAT HARD TO REMEMBER, THAT IMAGE. IT’S STILL USED IN THE MAGAZINES WHENEVER
THEY DO A NEW BIOPIC OF THE BIG V. YOU’VE PROBABLY SEEN IT. WHO HASN’T?
Inset 2: On VIVEC
ALANDRO SUL: WHAT’S THE WORD? SEMINAL? YEAH. SEMINAL PICTURE, THAT ONE.
THEY’RE GONNA WIN THIS FIGHT. THEY’RE GONNA TAKE IT STRAIGHT TO THE
INTELLECTIVE’S BIG OL’ ROBOT AND SOMEHOW PUNCH EVERYTHING BACK TO NORMAL.
ALMALEXIA WILL TALK HER CRAZY TALK TO WHATEVER CONNECTION THE BAD GUY HAS
TO OUR UNIVERSE AND IT’LL ALL FALL APART LIKE STRANDS AND EVERYONE ON NIRN
WON’T HAVE TELEVISIONS FOR HEADS ANYMORE. MAYBE RIGHT BEFORE THAT, SOME
TRICK OF THE INTELLECTIVE WILL SEEM TO TURN THE TIDE, LIKE, I DUNNO, A WHOLE
CORPRUS ARMY OF HIST WILL FLOOD OUT OF THE SALESFOAM, BUT THE UR WILL SPLIT
HIMSELF INTO A CASCADE OF DIFFERENT HERE AND NOWS AND TAKE CARE OF EVERY
ONE OF THEM JUST AS SOTHA SIL STABILIZES THE SCENE WITH A WORD IN A LANGUAGE
THAT DOESN’T EXIST YET, BECAUSE HE DOES STUFF LIKE THAT. THEY’RE OUR SUPER-
PEOPLE. THEY ALL DO STUFF LIKE THAT. THE IMPOSSIBLE. THEY TAKE WHATEVER
WEIRDNESS THAT THREATENS OUR WORLD, WHATEVER THE SCALE, AND SMACK IT BACK
INTO SHAPE BY USING WHATEVER IMPOSSIBLE MEANS THEY HAVE INSIDE THEM. AND YOU
KNOW WHY I’M SO CONFIDENT? BECAUSE I CAN’T IMAGINE A WORLD WHERE THEIR KIND
OF IMPOSSIBLE... ISN’T.
XVI. Jubal and Vivec
ALD SOTHA MARKETPLACE 44. “DAY”. Back at the marketplace. JUBAL has finally noticed
VIVEC’s appearance and he, like most everyone else, is taken aback. He doesn’t bow. He’s just
shocked.
JUBAL-LUN-SUL: No! You just teleported both of us away from the marketplace in plain view. People
will talk.
VIVEC stands. No more floating lotus position. His spear and shield are likewise removed.
JUBAL has turned from him, dealing with some internal conflict.
JUBAL-LUN-SUL: ... Yes. But not in the way I think you mean.
VIVEC vanishes in a star of golden light. JUBAL looks over his shoulder, frowning.
JUBAL-LUN-SUL: You “spoke of this in a previous life” — oh, sure. Just up and vanish. Sometimes?
Sometimes, I think you’ve forgotten all the things you’ve ever said. I’m going to fix that, too.
HOUSE SUL UNDER-MANOR. “NIGHT”. JUBAL stands on his terrace balcony, overlooking the
city below. He’s wearing his kimono again. He’s had some time to think. [...] He’s determined.
The SERVITOR appears. Its death’s head visage is small comfort, but it’s enough to change
JUBAL’s expression, which is one of doubt now.
SERVITOR: HERE/ERE/ERE, MUTHSERA/ERA/ERA
JUBAL-LUN-SUL: I’m sorry, that summoning was rude. There are no castes here, either. What’s your
name?
JUBAL-LUN-SUL: Then of course it does. I need you to send a demilitarized micro-wasp missile
message to Hlaalu Hir. Priority: now. If we still have wax, then use the old seal. The one with the tusk.
XVII. Jubal loses his hands
HOUSE SUL UNDER-MANOR. TEA ROOM. ’’DAY”. JUBAL still in his kimono, with HLAALU
HIR approaching.
HLAALU HIR: I did. Wasn’t sure if you were half in the flin but I did it anyway. This cost me a lot.
HLAALU HIR: Sure you will. Got a flask of sujama, if you need it. The sugar-surgeons say it’s going to
take knives.
JUBAL sits at the great table, his back to the coterie of khajiiti surgeons that start filling the
room.
JUBAL-LUN-SUL: Then it’s probably a good thing I got over my fear of needles then, huh?
HLAALU HIR: Jubal. This is ...urn, I don’t know, but it’s ... she’s not worth it.
JUBAL has his hands outstretched on a dinner table, a few cat surgeons behind him. Their cat
expressions are unreadable.
JUBAL-LUN-SUL: Sure, she is. We all are. Now hold my hands down. If I fight it —
HLAALU HIR: Fuck that. I told you it cost, and I couldn’t sell enough of the Under to get it back.
You’re doing this.
KHAJIIT SURGEON 1: Muthsera, should it please you, know that we have already perforated your
back, neck spine, and ears with our own type of missiles.
JUBAL, seated, is tripping balls, and he looks up. He has moons for irises, one silver, one red.
KHAJIIT SURGEON 2: He jests. They’re not missiles, they’re akin to what you call ‘whiskers’, only we
have to throw them secretly at the patient when they’re not looking. Vabrissi, if you must know.
KHAJIIT SURGEON 1: There is a proverb among my people. It goes: “Two moons, two
paws, ten claws. Take but one away and you —“
ALD SOTHA. CORNER CLUB. “NIGHT”. JUBAL’s bachelor party at the Corner Club. Its
regular patrons have been shown the door. Weirder guests have arrived: gods, monsters, gods
and monsters. Jubal’s hands have been cut off. They are covered in bandages. He ignores the
guests, and speaks to his friend.
JUBAL-LUN-SUL: I don’t —
HLAALU HIR: — recognize a lot of these people? Yeah. Turned into a cosmic shindig. Who knew?
You ready?
HLAALU HIR: For someone that just cut your hands off, sure. On the day before you have to take
your trial to prove you’re worthy of this wedding. Ask me? You’ll be fine.
Later.
JUBAL and MORIHAUS, seated together, the latter a winged minotaur. His bull head has a nose ring.
JUBAL-LUN-SUL: The nose ring. I really want to pull on that. Instinct. Sorry, I’m drunk.
MORIHAUS: They all want to pull on it. I mean, goes with the territory.
MORIHAUS: ‘Third Empire Men’, yes. The ‘Thalmor Emissary Masser’, no. But then again they no
longer exist.
JUBAL-LUN-SUL: Hnh. Timelines got broken. Makes it hard to put the right histories into place. In
your version, you helped Men find their freedom, right?
MORIHAUS: No worries. I get it. I had an uncle had the same trouble, sorting out what when was
when. Anyway, credit where credit’s due. In all honesty, I was a just demigod with a grudge on my
shoulder. That whole freedom thing? That was my wife’s idea.
Later.
JUBAL sitting at the same table across from a Hist Tree. It’s wrapped itself all over its seat, its
upper trunk and branches leaning down to not upset the ceiling. Tiny lizards and geckos crawl
all over it.
JUBAL-LUN-SUL: Just a guess, Hist, but I’m betting you don’t give a shit. Okay, then listen to me.
You’re not the Dwemer. I can probably safely say no one knows what you are. But the fact that you
sent a fucking tree to my bachelor party says you’re listening. I won’t forget that.
Later.
JUBAL and ALMALEXIA, the Queen of the old Tribunal. She is slightly translucent but
adorned in her ancient armor, tusked-mask and all.
JUBAL alone at the table as a man-sized dragon approaches. It has no legs or limbs of any
kind, only small and useless wings.
AKATOSH has managed to coil itself around its seat. JUBAL leans back, drunk off his ass.
JUBAL-LUN-SUL: Sit. Will sit. Didn’t sit. How are you doing, Worm?
JUBAL-LUN-SUL: You’re the god of time. You’ve always been on the clock. Clock’s broken. Are you
sure this isn’t a self-imposed guilt trip?
JUBAL has a moment of drunken clarity. He leans forward, holding up a bandaged wrist,
forgetting for a moment he has no hand to motion with.
AKATOSH: I know. But, then, TIME IS BROKEN. AND ONLY WE CAN MEND IT. WE WILL ERASE
YOU.
JUBAL and AKATOSH stare each other down, as TALOS approaches. The latter is more
Viking than Viking. His helmet has curled goat horns that are longer than his arms. His beard
has to be wrapped up in his gigantic leather belt. In either hand, he carries a flagon of mead.
JUBAL-LUN-SUL (to AKATOSH): Walk away. You’re drinking with the groom on your brother’s dead
body. Bad mojo, that, in any world. Yours is an empty threat. We’re spread too far for erasure now.
But you knew that.
JUBAL-LUN-SUL: ANIMAL PICTURE, RUDE-WALKER, GO BACK TO THE LAMP THAT STAYS LIT
IN WATER AND STORE NO MORE MESSAGES OF USELESS NOISE. WALK AWAY. WE’VE BEEN
THROUGH THIS ALREADY.
AKATOSH vanishes, leaving a greenish vapor. TALOS, still holding the flagons, starts to sit.
TALOS backs up, flagons in hand, his chest puffed out in great offense. A Nordic goddess,
KYNE, approaches, with a hawk on each arm.
TALOS: Relax, moonboy, this is all just getting to your head. Shake the dragon and what not. That’s
always a laugh, that. But to dismiss —
JUBAL and TALOS stare each other down, KYNE now close to the table, as her hawks fly off-
screen.
JUBAL-LUN-SUL: Wrong response, Dragonborn. Faker. Half-beard. Borrower. VIRUS. NOW GET
BACK IN LINE. If you’ve failed to notice, it’s not your party.
JUBAL and KYNE, with TALOS backing away, frowning, still holding his flagons of mead.
Priorities.
KYNE: I am the Wife of the Dragon of Time and the Mutant of Space. You, muthsera, are being most
unkind to both. I blame the drink.
JUBAL-LUN-SUL: Stop it, Kyne. You are the mother of rain. Your banner is the Hawk.
KYNE: Wrong. I am the mother of tears. That kind of sadness has no banner.
JUBAL-LUN-SUL: ...
KYNE: I think you should make it. And, as a wife, I would ask you to start with the manmer you called
a ‘virus’.
Later.
JUBAL and TALOS seated at the table. The flagons the former held are now toppled over
before him. These guys are drunk.
TALOS: Women.
JUBAL and TALOS leave the party, holding each other up.
JUBAL-LUN-SUL: You don’t. Really, you don’t. That’s the half-measure we all take to deal with the
very idea. Let’s just take a walk. There’s a tunnel nearby.
LUNAR LANDSCAPE. JUBAL and TALOS, outside now, in appropriate moonscape outfits.
JUBAL has his breather-scarves on. The “outfit” that TALOS wears is particularly impressive:
he’s just turned himself into platinum.
JUBAL-LUN-SUL: Because, one, I’m drunk and I see it now. Two, because you were at one time. You
fed off of it. The mastery. And I can’t really blame you. Because the alternative? The alternative
means that one of us wins at the expense of the other. Just because.
Behind JUBAL and TALOS. JUBAL points up to the great wash of light that was Nirn.
JUBAL-LUN-SUL: See there? That’s where all of us used to live. But not without a price. Dead
language, old meaning: The Arena.
TALOS: AURBIS.
JUBAL and TALOS continue to stare at the Wheels of Lull. TALOS, though, is starting to
change. The platinum is going grey. The helmet he wears is fading from view.
JUBAL-LUN-SUL: Correct. Now get this: all of us? In the end, we were just put there to fight. More
like, at the start. That’s simplifying things on some level I don’t get.
JUBAL looks over at TALOS, who has become LORKHAN [...] LORKHAN wears only a
loincloth with the symbols of eyes stitched into it. His chest gapes open as a jagged hole.
From it comes a harsh red glow the color of blood if blood was neon, and he has no heart. It
should be plain whatever ripped out that heart did so violently.
TALOS/LORKHAN: Anyone that cuts off their hands? They already get it. They knew they had the
Arena in reach, but they decided to refuse it.
JUBAL watches LORKHAN as the latter holds out his hands to either side. The blood-red hole
of his chest grows an eye. A woman’s eye.
JUBAL-LUN-SUL: Okay, you caught me... Lorkhan. It’s just way too familiar and it’s way too
seductive. You know why? Just saying, you’ve chased that answer your whole life.
JUBAL-LUN-SUL: Exactly.
The eye in LORKHAN’s chest is replaced again by the glow of neon blood.
JUBAL-LUN-SUL: I’m sorry I called you a virus. You’re not. You’re a preacher. Good night. Give them
all my love.
JUBAL sits down to meditate. LORKHAN begins to draw a circle around him in the red dust of
the moon.
JUBAL looking up at the NUMIDIUM. The shattered remnants of home beyond it.
JUBAL-LUN-SUL: Hello.
NUMIDIUM:
NUMIDIUM:
JUBAL-LUN-SUL: No, really, I do. I’d tell you it was my plan all along, but you don’t believe in those,
do you?
NUMIDIUM:
JUBAL-LUN-SUL: Plans, I mean. But you will. Would you mind, you know, doing this face to face?
NUMIDIUM:
JUBAL-LUN-SUL: Serial contrarian to the last. Just do it. For both our sakes. I promise no
tricks.
JUBAL-LUN-SUL: Thank you. I mean that. The others got it all wrong.
NUMIDIUM:
JUBAL-LUN-SUL: In those others I include the ones who made you. The Dwemer. The Dwarves’.
Whatever.
NUMIDIUM:
JUBAL-LUN-SUL: Look, you don’t have to respond to anything I say if you don’t want to, but I already
know you know that. So listen for once. Can you do that?
NUMIDIUM:
JUBAL-LUN-SUL: I’ll take that as a yes. And I know that any kind of ‘yes’ makes you do what you do,
and that only ends in disaster, so hear me out. I’m going to start with some scripture from my people
—
NUMIDIUM:
NUMIDIUM:
JUBAL-LUN-SUL: — okay, then. After that, I’ll end with some words of your people.
NUMIDIUM:
JUBAL-LUN-SUL: I know. Every other word makes you angry. Wrong word. Every assertion does. But
just hear it out.
NUMIDIUM:
JUBAL-LUN-SUL: “THE ONE-HANDED KING FINDS NO REMEDY. WHEN YOU APPROACH GOD,
HOWEVER, CUT BOTH OF THEM OFF. GOD HAS NO NEED OF THEORY AND HE IS ARMORED
HEAD TO TOE IN TERROR.”
NUMIDIUM:
JUBAL-UN-SUL: It’s literary and portentous. I get that. But the alternative? The words of yours?
Those are easy.
JUBAL-LUN-SUL: “No.” ... “No.” ... “No.” ... “No.” ... “No.”
NUMIDIUM:
JUBAL-LUN-SUL: Your philosophy is, for a lack of a better term, the Entitled Teenager. I know you
wanted it to be something else. Something more pure, maybe, like Never Underestimate The Little
Guy. But that just sucks, too. It gets you nowhere. It got us to this. Everyone ran here to get away
from you. To avoid you. Landfall, day one.
JUBAL-LUN-SUL: But at some point in time, we all have to grow up. Help me with my scarves. No
hands of my own and all.
NUMIDIUM:
JUBAL-LUN-SUL: Do it.
JUBAL-LUN-SUL: Let’s face it. You were made to say “fuck it”. That’s not an answer that lasts. But,
hey look, a lot of us took it to heart. Together, your people and mine, we joined forces, and said
“fuckthat shit” to the men that invaded our lands. Afterwards? Yeah, we turned on each other, like
people do. But we took you. Because, hey, “fuck it, we won, we do what we want.”
JUBAL-LUN-SUL: Then some other men invaded us. And they weren’t kidding around this time.
Guess what? The only way we got out of it was to give you to them. Because, hey, “fuck it, they won,
they get to do what they want.”
NUMIDIUM:
JUBAL-LUN-SUL: And the whole time? You were the escape route. You are The Disappearance of
the Dwarves’ —
NUMIDIUM:
JUBAL-LUN-SUL: Wasn’t that hard to figure out. Mainly because other people did before me. But
there was always this one unanswered question, tickling in the back brains.
NUMIDIUM: MAYBE.
JUBAL and the NUMIDIUM face-to-face. JUBAL is pointing at the NUMIDIUM with an arm
that has no hand.
JUBAL-LUN-SUL: Don’t you dare do that! That’s the magic word and we promised no tricks!
NUMIDIUM:
NUMIDIUM:
NUMIDIUM: YES.
The NUMIDIUM cocks its head. JUBAL almost looks sorry for it.
NUMIDIUM: ?
JUBAL-LUN-SUL: Don’t you get it? Your people tried to run, but couldn’t. My people have to run, and I
needed to hear the way out. We’re finally talking the same language.
JUBAL-LUN-SUL:
XXI. The Digitals return
JUBAL lies exhausted on top of the decapitated body of the NUMIDIUM. It has no spikes
now. It’s just a brass body with no head. Five different fingers point at the scene. Ghostly
fingers. The Digitals.
HOUSE SUL UNDER-MANOR. OBSERVATORY. “DAY”. JUBAL is armored in the brass shell
of the NUMIDIUM. His grey long hair is braided. He wears the crest-badge of his house. He
has a hawk on one arm and a spear in the other. He is ready.
JUBAL-LUN-SUL:
“The fire is mine: let it consume thee,
And make a secret door at the altar of the Aurbis,
In the House of the Worm, Where we become safe,
And looked after.”
The SERVITOR EXPLODES. The room is flooded with assassins from the Morag Tong. They
are all masked, and carry varied weapons. All of them sport a Writ badge with Jubal’s tusk
drawn hastily in blood.
JUBAL waits as the Tong’s assassins surround them. Okay, let’s just call them what they are
for the rest of this bit: dark elf ninjas. HLAALU is simply wearing his military uniform, the
same one he wore when hearing about the marriage. A formality. An important one in this
culture.
JUBAL-LUN-SUL: The cats would cut off a Dunmer’s hands for free. “You think I’m stupid, Hir?”
Tight on JUBAL, a micro-wasp missile slowly digging its way into his forehead.
HLAALU HIR: All of this did. It’s hurt from the moment we started. I guess from the moment you
started. I was there the whole time. I told you this wasn’t worth it. I told you to stop. Want to know
what hurts the most?
JUBAL pulls the micro-wasp missile from his head with ghost hands that are rendered just
like the digital fingers from before.
JUBAL throws the missile at a clustered group of the assassins, obliterating them.
SFX: BDOOM!
JUBAL starts to run, lets his hawk fly. It vector strikes more ninjas.
SFX: SQUAAAAAWKK!
JUBAL catapults over the planets of his Orrery, pouncing from one to the other, throwing his
spear to kill four, ending with a throat-kick to end a fifth. JUBAL is surrounded but still takes
the time to address his old friend. Killing ninjas while he’s at it.
JUBAL-LUN-SUL: Tell me, Hir. I think I know. But, like you, I want to hear it from your own mouth.
What hurt the most?
LUNAR LANDSCAPE. Dunes of red, sugary sand leading as far as the eye can see. JUBAL
and HIR stare into the sky. It is a vision of apocalypse. A smaller, silver moon sits to the upper
left, orbiting a shattered planet. The planet Nirn. “Earth. ” Cracked open like an asteroid field
still held into spherical shape by forces unknown. The right side of the planet moves from rock
and fire to ghostly cosmic clockworks. The planet has a “skeleton” inside it, an interlocking
system of gears and pistons and wheels, half-here, half-not, overlaid with a nebula of
mathematical equations that we can’t understand.
HLAALU HIR: Yeah, but all private-like. We’ll back away. Give you some time.
MEMORY: HELLO. MY NAME IS MEMORY. THANK YOU FOR COMING. FEWER OF YOU DO
WITH EACH PASSING YEAR. I GET LONELY.
MEMORY: BECAUSE I’M LEAVING. DON’T TELL THE OTHERS. IF THEY HEAR I AM, THEY’LL
COME IN DROVES.
HOUSE SUL UNDER-MANOR. OBSERVATORY. “DAY”. JUBAL moves faster than we’ve ever
seen, utterly ninja-killing the ninjas. Throat-kicking them all like a stairway, he jumps and
grabs a planet from the Orrery.
JUBAL-LUN-SUL: My family’s name comes from the first child born in the Velothiid, Haeko-dol-Sul,
and, like him, we are salt merchants.
JUBAL throws the planet at a group of ninjas, turning them into a star of blood-red paste.
JUBAL is making his way closer to HIR. Digital fingers from off-screen are violently pressing
the remaining ninjas into the floor.
JUBAL has his ghost hands around HIR’s throat. Silent panel. JUBAL chokes HIR to death.
JUBAL-LUN-SUL: Goodbye, House Hlaalu, you’re dead. And your crest dies with you. It was ugly,
anyway. It’s always been the crest of compliance. You don’t get to know what she said. You would’ve
just bought your way out. But go in peace knowing that she was right. Goodbyes are the worst.
XXV. The High Alma’s daughter
THE TEMPLE BELOW. JUBAL is marrying the High Alma’s daughter at the Under-Temple of
the Velothiid. The whole of the Dunmer race is present. And it turns out, the High Alma’s
daughter is VIVEC. As a woman. The most beautiful woman you can draw. The priest is
LORKHAN, his heart-hole exposed.
JUBAL-LUN-SUL:
Closer as JUBAL recites his vows. We can kind of see that LORKHAN’s heart is perhaps a
cage of a dragon. AKATOSH.
LORKHAN:
VIVEC:
[...] LORKHAN’s heart-hole isn’t a cage at all. Or maybe it is. AKATOSH, Time-Dragon, First
Born, begins to eat his tail. The priest addresses the audience: if there are any here who would
object.
LORKHAN:
VIVEC: I —
JUBAL-LUN-SUL: I —
VIVEC: WE.
JUBAL-LUN-SUL: YES.
The kiss. LORKHAN’s hole is no more. It’s healed. His heart is secure.
THE COSMIC ISSUE — THE FIRST OF THE NU-MEN, A BABY MADE OF FLOWERS — LOOKING
TO THE READER, BUT NOT BREAKING THE FOURTH WALL. IT IS SIMPLY SEEING
SOMETHING WE’RE NOT, SOMETHING THAT’S BEHIND US. “SCROLLING” BEHIND IT IS THE
FOLLOWING TEXT:
My name is Jubal-lun-Sul, of House Sul, whose name is known and hear throughout Scathing
Bay and the Nine times Nine Thrones. Our lord is High Alma Jaroon, of House Jaroon, whose
city is the First City of the New North, where all who Went Under from Landfall settled and
made peace with the Worm, when we were not Eighty and One separate peoples but One,
carrying the tibrols on our backs together and cutting tunnels by the light and heat that all
mer wore, with equal dust in every mouth. My family’s name comes from the first child born
in the Velothiid, Haeko-dol-Sul, and, like him, we are salt merchants. Our crest is the tusk of
the bat-tiger. Our bloodline is registered by C0DA.
The Digitals say we come from another star, but so many have forgotten. I have not, for my
lineage granted me audience with Memory, and I have spoken with the Wheels of Lull. I have
seen proof, as any who come Up during Landfall Season, when the winds die down enough
Above that all may make pilgrimage under the banner of Vehk and Vehk. Though many
Above have renounced Memory, they too remember.