The document discusses the physics and psychology of sound, detailing how sound waves are processed through the ear's structure, including the outer, middle, and inner ear. It explains concepts such as amplitude, frequency, pitch, and timbre, as well as theories of sound perception like place theory and frequency theory. Additionally, it covers sound localization, types of hearing loss, and the challenges older adults face with hearing comprehension despite using hearing aids.
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Chapter 6 - Other Sensory System (Audition)
The document discusses the physics and psychology of sound, detailing how sound waves are processed through the ear's structure, including the outer, middle, and inner ear. It explains concepts such as amplitude, frequency, pitch, and timbre, as well as theories of sound perception like place theory and frequency theory. Additionally, it covers sound localization, types of hearing loss, and the challenges older adults face with hearing comprehension despite using hearing aids.
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AUDITION ➢ Sound waves > Pinna (locates
sound) > Tympanic Membrane
PHYSICS AND PSYCHOLOGY OF (eardrums) > Anvil, Hammer, Stirrup SOUND (vibrates) > Cochlea > Hair Cells (triggered by cochlea) > Cochlear ➢ Sound waves are periodic Neuron (action potential) > Auditory compression of air, water, and other Cortex media. ➢ No vibration in cochlea will not send ➢ The amplitude of a sound wave is information. its intensity. In general, sounds of greater amplitude seem louder, but PITCH PERFECTION exceptions occur. For example, a rapidly talking person seems louder ➢ According to the place theory, the than slow music of the same basilar membrane (found in cochlea) physical amplitude. resembles the strings of a piano, ➢ The frequency of a sound is the with each area along the membrane number of compressions per tuned to a specific frequency. If you second, measured in hertz (Hz, sound a note with a tuning fork near cycles per second). a piano, you vibrate the piano string ➢ Pitch is the related aspect of tuned to that note. perception. Sounds higher in ➢ According to this theory, each frequency are higher in pitch. frequency activates the hair cells at ➢ In addition to amplitude and pitch, only one place along the basilar the third aspect of sound is timbre, membrane, and the nervous system meaning tone quality or tone distinguishes among frequencies complexity. based on which neurons respond. ➢ People communicate emotion by The downfall of this theory is that the alterations in pitch, loudness, and various parts of the basilar timbre. membrane are bound together too ➢ Conveying emotional information by tightly for any part to resonate like a tone of voice is known as prosody. piano string.
STRUCTURE OF THE EAR ➢ According to the frequency theory,
➢ 3 divisions: the entire basilar membrane vibrates 1. Outer ear in synchrony with a sound, causing 2. Middle ear auditory nerve axons to produce 3. Inner ear action potentials at the same frequency. - The downfall of this theory in its simplest form is that the refractory period of a neuron, through variables among neurons, is typically 1/1,000 second, so the maximum firing rate of a neuron is about 1000 Hz, far short of the highest frequencies we PRIMARY AUDITORY CORTEX hear. ➢ As information from the auditory ➢ The current theory is a modification system passes through subcortical of both theories. For low-frequency areas, axons cross over in the sounds (up to about 100 Hz—more midbrain to enable each hemisphere than an octave below middle C in of the forebrain to get most of its music, which is 264 Hz), the basilar input from the opposite ear. The membrane vibrates in synchrony information ultimately reaches the with the sound waves, in accordance primary auditory cortex (area A1) with the frequency theory, and the in the superior temporal cortex. auditory nerve axons generate one ➢ The auditory system has a pathway action potential per wave. in the anterior temporal cortex ➢ Soft sounds activate fewer neurons, specialized for identifying sounds, and stronger sounds activate more. and a pathway in the posterior Thus, at low frequencies, the temporal cortex and the parietal frequency of impulses identifies the cortex specialized for locating pitch, and the number of firing cells sounds. identifies loudness. ➢ Just as patients with damage in area ➢ As sounds exceed 100 Hz, it MT become motion blind, patients becomes harder than any neuron to with damage in parts of the superior continue firing in synchrony with the temporal cortex become motion sound waves. At higher frequencies, deaf. They hear sounds, but they do a neuron might fire on some of the not detect that a source of a sound waves and not others. Its action is moving. potentials are phase-locked to the - Cortex is for processing the peaks of the sound waves. information.
➢ According to the volley principle of ➢ Most cells have a preferred tone.
pitch discrimination, the auditory The auditory cortex provides what nerve as a whole produces volleys researchers call a tonotopic map of of impulses for sounds up to about sounds. 4000 per second, even though no ➢ Although some cells in the auditory individual axon approaches that cortex respond well to a single tone, frequency (Rose, Brugge, Anderson, most cells respond best to a & Hind, 1967). However, beyond complex sound, such as a dominant about 4000 Hz, even staggered tone and several harmonics. volleys of impulses cannot keep ➢ Surrounding the primary auditory pace with the sound waves. cortex are the secondary auditory - Most human hearing takes place cortex and additional areas that below 4000 Hz, the approximate respond best to relevant natural limit of the volley principle. For sounds, such as animal calls, comparison, the highest key on a birdsong, machinery noises, music, piano is 4224 Hz. and speech. - Problems in the secondary auditory INDIVIDUAL DIFFERENCES cortex can’t identify the words associated with a sound. ➢ Amusia, commonly called “tone - If you cannot imagine a sound, then deafness.” Although not really a word relating to it becomes unable to detect differences in tones, meaningless. they generally do not detect a change less than about the SOUND LOCATION difference between C and C-sharp. Furthermore, they have trouble ➢ One method is the difference in recognizing tunes, cannot tell time of arrival at the two ears. A whether someone is singing off-key, sound coming directly from one side and do not detect a “wrong” note in a reaches your closer ear about 600 melody. They also have trouble microseconds (µs) before the other. gauging people’s mood, such as A smaller difference in arrival times happiness or sadness, from the tone indicates a sound source nearer to of voice. your midline. Time of arrival is useful - For people with amusia, the auditory for localizing sounds with a sudden cortex appears to be approximately onset. normal, but it has fewer than average connections to the frontal ➢ Another cue for location is the cortex. difference in intensity between the - It results from either an impairment ears. For high-frequency sounds, of the prefrontal cortex. with a wavelength shorter than the - It can be inherited. width of the head, the head creates a sound shadow, making the sound ● Deafness louder for the closer ear. In adult ➢ Although few people are totally humans, this mechanism produces unable to hear, many people have accurate sound localization for enough impairment to prevent frequencies above 2000 to 3000 Hz speech comprehension. The two and less accurate localizations for categories of hearing loss are lower frequencies. conductive deafness and nerve deafness: ➢ A third cue is the phase difference between the ears. Every sound 1. Conductive Deafness or wave has phases with peaks 360 Middle-Ear Deafness degrees apart. It provides - Diseases, infections, or tumorous information that is useful for bone growth can prevent the middle localizing sounds of frequency up to ear from transmitting sound waves about 1500 Hz in humans. Speech properly to the cochlea and is sounds and music are well within sometimes temporary. this range. - If it persists, it can be corrected by surgery or by hearing aids that amplify sounds. Because people with conductive deafness have a normal cochlea and auditory nerve, reaction to prolonged degradation of they readily hear their own voices, auditory input. conducted through the bones of the ➢ The rest of the explanation relates to skull directly to the cochlea, attention. Frequently you want to bypassing the middle ear. Because listen to one person in a noisy room. they hear themselves clearly, they To hear what you care about, you may accuse others of mumbling or need to filter out all the other talking too softly. sounds.
2. Nerve Deafness or Inner-Ear
Deafness - Results from damage to the cochlea, the hair cells, or the auditory nerve. If it is confined to one part of the cochlea, it impairs hearing of certain frequencies and not others. Nerve deafness can be inherited, it can result from disease, or it can result from exposure to loud noises.
➢ Tinnitus is frequent or constant
ringing in the ears. In some cases, tinnitus may be due to a phenomenon similar to phantom limb. Damage to part of the cochlea is like an amputation: If the brain no longer gets its normal input, axons representing other parts of the body may invade part of the brain area that usually responds to sounds.
HEARING, ATTENTION, AND OLD AGE
➢ Many older people have hearing
problems despite wearing hearing aids. The hearing aids make the sounds loud enough, but people still have trouble understanding speech, especially in a noisy room or if someone speaks rapidly. ➢ Part of the explanation is that the brain areas responsible for language comprehension have become less active. This trend might be just a natural deterioration, or it might be a