"Audio Spotlighting": Prof - Ekta Mishra
"Audio Spotlighting": Prof - Ekta Mishra
A SEMINAR REPORT ON
Audio Spotlighting
BY PRACHI GAVALI T4075
Under the Guidance of
Prof.Ekta Mishra
In partial fulfillment of
T.E (Instrumentation Engineering)
DEPERTMENT OF INSTRUMENTATION ENGINEERING PADMASHREE DR. D.Y.PATIL INSTITUTE OF ENGINEERING AND TECHNOLOGY PIMPRI PUNE 411018
This is to certify that the Maneesh Raina Roll No.T4075 have submitted the necessary stage I report on
Audio Spotlighting
In satisfactory manner as partial fulfillment for requirement of the degree of T.E. (Information Technology) Of University of Pune in the academic year 2011-2012.
Date: Place:
ACKNOWLEDGEMENT
No successful work can ever be effect of single individual effort. Teamwork, dedication and Motivation are behind every accomplishment.
I would like to thank this opportunity to acknowledge my overwhelming gratitude, immense respect to my guide Prof. Ekta Mishra for her scholarly guidance, constant encouragement & untiring patience. I provide privilege to include in me which will take me a long way in life.
My foremost thanks to Head of Department, Prof. Mr. Rane and Principal, Dr.R.K. Jain & all teaching staff, who directly or indirectly helped in completion of seminar.
Last, but not least, I express my sincere gratitude to all who have directly or indirectly helped me in making my effort a success.
PRACHI GAVALI
ABSTRACT
Audio spot lighting is a very recent technology that creates focused beams of sound similar to light beams coming out of a flashlight. By shining sound to one location, specific listeners can be targeted with sound without others nearby hearing it. It uses a non-linear acoustics for its working. But it is real and is better than any conventional loud speaker. This acoustic device comprises a speaker that fires inaudible ultrasound pulses with very small wavelength which act in a manner very similar to that of a narrow column. The ultra sound beam acts as an airborne speaker. Holosonic Research Labs invented the Audio Spotlight that is made of a sound processor, an amplifier and the transducer. This use ultrasound based solutions to beam sound into a focused beam. Audio spotlight can be either directed at a particular listener or to a point where it is reflected. The targeted or directed audio technology is going to a attain a huge commercial market in entertainment and consumer electronics and technology. Being the most recent and dramatic change in the way we perceive sound, audio spot light technology can do many miracles in various fields like, Home theatre audio system, Navy and military applications, museum displays etc.Thus audio spotlighting helps us to control where sound comes from and where it goes.
INDEX
1. INTRODUCTION 1 2. THEORY 2 3. TECHNOLOGY OVERVIEW 3 4. RANGE OF HEARING 5 5. WORKING 6 6. BEAM DISPERSION 9 7. ARCHITECTURE 10 8. MODES OF LISTENING 13 9. ADVANTAGES 14 10. APPLICATIONS 15 11. FUTURE OF AUDIO SPOTLIGHTING 17 12. CONCLUSION 18 13. REFERENCE 19
LIST OF FIGURES FIGURE NO. FIGURE NAME PAGE NO. 1. PROPAGATION OF SOUND BEAM 2 2 CONVENTIONAL SPEAKERS 4 3. AUDIO SPOTLIGHTING SPEAKERS 4 4. RANGE OF HEARING 5 5. AUDIO SPOTLIGHTING EMITTER 6 6. DIRECTIVITY 7. COMPUTER SIMULATION OF SOUND BEAM 9 8. DISPERSION OF SOUND BEAM 11 9. BLOCK DIAGRAM 10. PARAMETRIC LOUDSPEAKER 11. DIRECTEC AND PROJECTED AUDIO 13
INTRODUCTION
Hi-fi speakers range from piezoelectric tweeters to various kinds of midrange speakers and woofers which generally rely on circuits ant large enclosures to produce quality sound, whether it dynamic, electrostatic or some other transducer based design. Engineers have struggled for nearly a century to produce a speaker design with the ideal 20Hz 20,000Hz capability of human hearing and also produce a narrow beam of audible sound. Audio spot lighting is a very recent technology that creates focused beams of sound similar to light beams coming out of a flash light. Specific listeners can be targeted with sound without others nearby hearing it, i.e. to focus the sound into a coherent and highly directional beam. It makes use of non-linearity property of air. The Audio spotlight developed by American Technology Corporation uses ultrasonic energy to create extremely narrow beams of sound that behaves like beam of light. Audio spotlight exploits the property of non-linearity of air. A device known as parametric array employs the non-linearity of the air to create audible by products from inaudible ultrasound, resulting in extremely directive and beam like sound. This source can projected about an area much like a spotlight and creates an actual specialized sound distant from a transducer. The ultrasound column acts as a airborne speaker, and as the beam moves through the air gradual distortion takes place in a predictable way. This gives rise to audible components that can be accurately predicted and precisely controlled.
THEORY
The regular loudspeakers produce audible sound by directly moving the air molecules. The audible portions of sound tend to spread out in all directions from the point of origin. They do not travel as narrow beams. In fact the beam angle of audible sound is very wide, just about 360 degrees. This effectively means that the sound you hear will be propagated through the air equally in all directions. Conventional loudspeakers suffer from amplitude distortions, harmonic distortion, inter - modulation distortion, phase distortion, crossover distortion, cone resonance etc. Some aspects of their mechanical aspects are mass, magnetic structure, enclosure design and cone construction. In order to focus sound into a narrow beam, you need to maintain a low beam angle that is dictated by wavelength. The smaller the wavelength, less the beam angle and hence, the more focused the sound. The beam angle also depends on the aperture size of the speaker. A large loudspeaker will focus the sound over a smaller area. If the source loudspeaker can be made several times bigger than the wavelength of the sound transmitted, then a finely focused beam can be created. The problem here is that this is not a very practical solution, thus the low beam angle can be achieved only by making the wavelength smaller and this can be achieved by making use of ultrasonic sound.
FIG 1 : F.JOSEPH POMPEI AT THE MIT LAB. PROPAGATION OF SOUND BEAM FROM AUDIO SPOTLIGHTING DEVICE.
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TECHNOLOGY OVERVIEW
The technique of using a nonlinear interaction of high frequency waves to generate low frequency waves was originally pioneered by researchers developing underwater sonar techniques in 1960s. In 1975, an article cited the nonlinear effects occurring in air. Over the next two decades, several large companies including Panasonic and Ricoh attempted to develop a loudspeaker using this principle. They were successful in producing some sort of sound but with higher level of distortion (>50%). In 1990s, Woody Norris a Radar Technician solved the parametric problems of this technology. Audio spotlighting works by emitting harmless high frequency ultrasonic tones that human hear cannot hear. It uses ultrasonic energy to create extremely narrow beams of sound that behave like beams of light. Ultrasonic sound is that sound which have very small wavelength in the millimeter range. These tones make use of non-linearity property of air to produce new tones that are within the range of human hearing which results in audible sound. The sound is created indirectly in air by down converting the ultrasonic energy into the frequency spectrum we can hear. In an audio spotlighting sound system there are no voice coils, cones or enclosures. The result is sound with a potential purity and fidelity which we attained never before.Sound quality is no longer tied to speaker size. This sound system holds the promise of replacing conventional speakers in homes, movie theaters and automobile everywhere.
RANGE OF HEARING
The human ear is sensitive to frequencies ranging from 20 Hz to 20,000 Hz. If the range of human hearing is expressed as a percentage of shift from the lowest audible frequency to the highest it spans a range of 100,000 percent. No single loudspeaker element can operate efficiently over such a wide range of frequencies. Using this technology it is possible to design a perfect transducer which can work over a wide range of frequency which is audible to human hear.
WORKING
The original low frequency sound wave such as human speech or a music is applied into an audio spotlight emitter device. This low frequency signal is frequency modulated with ultrasonic frequencies ranging from 21 kHz to 28 kHz. The output of the modulator will be the modulated form of original sound wave. Since ultrasonic frequency is used the wavelength of the combined signal will be in the order of few millimeters. Since the wavelength is smaller the beam angle will be around 3 degree, as a result the sound beam will be a narrow one with a small dispersion.
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While the frequency modulated signal travels through the air, the nonlinearity property of air comes into action which slightly changes the sound wave. If there is a change in a sound wave, new sounds are formed within the wave. Therefore if we know how the air affects the sound waves, we can predict exactly what new frequencies (sounds) will be added into the sound wave by the air itself. The new sound signal generated within the ultrasonic sound wave will be corresponding to the original information signal with a frequency in the range of 20 Hz to 20 kHz will be produced within the ultrasonic sound wave. Since we cannot hear the ultrasonic sound wave we only hear the new sounds that are formed by non linear action of the air. Thus in an audio spotlighting there are no actual speakers that produces the sound but the ultrasonic envelope acts as the air borne speaker.
FIG 6: DIRECTIVITY
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The new sound produced virtually has no distortions associated with it and faithful reproduction of sound is freed from bulky enclosures. There are no woofers or crossovers. This technology is similar in that you can direct the ultrasonic emitter towards a hard surface, a wall for instance and the listener perceives the sound as coming from the spot on the wall. The listener does not perceive the sound as emanating from the face of the transducer, but only form the reflection of the wall. For the maximum volume (sound level) that trade show use demands, it is recommended that the Audio Spotlight speaker, more accurately called a transducer, is mounted no more than 3 meters from the average listeners ears, or 5 meters in the air. The mounting hardware is constructed with a ball joint so that the Audio Spotlights are easily aimed wherever the sound is desired.
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BEAM DISPERSION
Figure shows the dispersion of sound beam from an audio spotlighting emitter. Even after traveling a distance of 10m the beam covers only an area of 3.2 meter square.
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1.Power Supply: Like all electronic systems, the audio spotlighting system works off DC voltage. Ultrasonic amplifier requires 48V DC supply for its working and low voltage for microcontroller unit and other process management. 2. Frequency oscillator: The frequency oscillator generates ultrasonic frequency signals in the range of (21,000 Hz to 28,000 Hz) which is required for the modulation of information signals. 3. Modulator: In order to convert the source signal material into ultrasonic signal a modulation scheme is required which is achieved through a modulator. In addition, error correction is needed to reduce distortion without loss of efficiency. By using a DSB modulator the modulation index can be reduced to decrease distortion. 4. Audio signal processor: The audio signal is sent to electronic signal processor circuit where equalization and distortion control are performed in order to produce a good quality sound signal. 5. Microcontroller: A dedicated microcontroller circuit takes care of the functional management of the system. In the future version, it is expected that the whole process like functional management, signal processing, double side band modulation and even switch mode power supply would be effectively taken care ofby a single embedded IC. 6. Ultrasonic Amplifier: High efficiency ultrasonic power amplifiers amplifies the frequency modulated wave in order to match the impedance of the integrated transducers. So that the output of the emitter will be more powerful and can cover more distance.
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7. Transducer: It is 1.27 cm thick and 17 in diameter. It is capable of producing audibility up to 200 meters with better clarity of sound. It has the ability of real time sound reproduction with zero lag. It can be wall, overhead or flush mounted. These transducers ar e arranged in form of an array called parametric arr ay in order to propagate the ultrasonic signals from the emitter and thereby to exploit the nonlinearity property of air.
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MODES OF LISTENING
There are two modes of listening: 1. Direct Mode. 2. Projected Mode.
FIG11: DIRECTED AUDIO AND PROJECTED AUDIO Direct Mode: Direct mode requires a clear line of approach from the sound system unitto the point where the listener can hear the audio. To restrict the audio in a specific area this method is appropriate. Projected or Virtual mode:
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This mode requires an unbroken line of approach from the emitter of audio spotlighting system, so the emitter is pointed at the spot where the is to be heard. For this mode of operation the sound beam from an emitter is made to reflect from a reflecting surface such as a wall surface or a diffuser surface. A virtual sound source creates an illusion of sound source that emanates from a surface or direction where no physical loudspeaker is present.
ADVANTAGES
1.Can focus sound only at the place you want. 2.Ultrasonic emitter devices are thin and flat and do not require a mounting cabinet. 3.The focused or directed sound travels much faster in a straight line than conventional loudspeakers. 4.Dispersion can be controlled very narrow or wider to cover more listening area. 5.Can reduce or eliminate the feedback from microphones. 6.Highly cost effective as the maintenance required is less as compared to conventional loud speakers and have longer life span. 7.Requires only same power as required for regular speakers. 8.There is no lag in reproducing the sound.
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APPLICATIONS
1. Automobiles: Beam alert signals can be directly propagated from an announcement device in the dashboard to the driver. Presently Mercedes Benzbuses are fitted with audio spotlighting speakers so that individual travellers can enjoy the music of there on interest
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3. Safety officials: Portable audio spotlighting devices for communicating with a specific person in a crowd of people.
4. Public announcement: Highly focused announcement in noisy environments such as subways, airports, amusement parks, traffic intersections etc.
5. Emergency rescue: Rescuers can communicate with endangered people far from reach. 6. Entertainment system : In home theatre system rear speakers can be eliminated by the implementation of audio spotlighting and the properties of sound can be improved.
7. Museums: In museums audio spotlight can be used to describe about a particular object to a person standing in front it, so that the other person standing in front of another object will not be able to hear the description.
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8. Military applications: Ship to ship communications and shipboard announcements. 9. Audio/Video conferencing: Project the audio from a conference in four different languages, forma single central device without the need for headphones. 10. Sound bullets: Jack the sound level 50 times the human threshold of pain, and an offshoot of audio spotlighting sound technology becomes a non-lethal weapon
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CONCLUSION
Audio spotlighting is really going to make a revolution in sound transmission and the user can decide the path in which audio signal should propagate. Due to the unidirectional propagation it finds application in large number of fields. Audio spotlighting system is going to shape the future of sound and will serve our ears with magical experience.
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REFERENCE
1. F. Joseph Pompei. The use of airborne ultrasonics for generating audible sound beams. Journal of the Audio Engineering Society, P. J. Westervelt. Parametric acoustic array. Journal of the Acoustical Society of America. 2. Thomas D. Kite, John T. Post, and Mark F. Hamilton. Parametric array in air: Distortion reduction by preprocessing. Journal of the Acoustical Society of America. 3. Jacqueline Naze Tjotta and Sigve Tjotta. Nonlinear interaction of two collinear, spherically spreading sound beams. 4.www.silentsound.co.za Silent sound 5.www.wikipedia.org - Sound from Ultrasound 6.www.techalone.com Audio spotlighting 7. www.howstuffworks.com 8.www.holosonics.com 9. Electronics For You Vol. 40 January 2008
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