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Analysis

The document is a musical transcription titled 'Pain & Gain - Blues Improv 2' by Emanuel Hedberg, featuring standard tuning and a blues shuffle rhythm. It includes various guitar techniques, scales, and arpeggios, primarily focusing on the D minor pentatonic and G mixolydian modes. The piece is structured with specific measures and notations for performance, indicating techniques like slides and pull-offs.

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0% found this document useful (0 votes)
10 views1 page

Analysis

The document is a musical transcription titled 'Pain & Gain - Blues Improv 2' by Emanuel Hedberg, featuring standard tuning and a blues shuffle rhythm. It includes various guitar techniques, scales, and arpeggios, primarily focusing on the D minor pentatonic and G mixolydian modes. The piece is structured with specific measures and notations for performance, indicating techniques like slides and pull-offs.

Uploaded by

lucioassumpcao
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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"Pain & Gain - Blues Improv 2"

by Emanuel Hedberg
Standard tuning
Blues Shuffle = 113

( = )
minor pentatonic + major 3rd D+ arpeggio
(D augmented)
D7

¼ full
sl.
1 sl. 2 P sl. 3 sl. 4
5 6
3 6 (6) 3 6 7 7
2 5 5 7 (7) 7 5 2 5 5 7 7 7 7
3 4 7 5 3 3 4 8

3 3 3 3 3 3

G mixolydian G7 arpeggio D mixolydian + chromatic


G7 let ring D7

5 sl. P P 6 sl. 7 8
10 (10) 12 13 14 10 7 8 9 10
8
7 9 10 9 7 7 9 7 9 10 10 12 13 14 11 7 9 10 11
9 9

3 3 3

D minor pentatonic
A7 D7

full ¼ full full full ¼ ¼


sl.
9 P 10 P P 11 P 12 P sl. P
10 10 10
10 13 10 10 13 13 10 13 10 10
12 12 10 12 10 12 12 12 12 12 10 10 10 (10)
12 12 10 12 10
12 12 10 8 10 10 12 8

3 5 3 5 3 3 3

D7 arpeggio D minor pentatonic


+ chromatic
+ minor 3rd

P
full ½ full ½
½ full ½ full ¼ ¼ ½
sl.
13 14 P 15 16 P sl.

6 7 6 8 8 6 8 8 8 8 8 6 6 6 6
5 6 7 7 5 7 7 7 5
4 7 7 7
(8) 5

3 3 3 3 3 3 3

G mixolydian D mixolydian + chromatic Can be analysed as D dorian


G7 D7

½ full
17 sl. P 18 H sl. P 19 sl. 20 sl. P
10 12 13 14 12 10 13 10
12 10 13 10 10
7 9 10 9 7 7 9 10 9 7 7 9 11 12 13 14 12 7 11 12
9 7 9 9 9

3 3 3 3 3

Bending to root of A A minor pentatonic D minor pentatonic Dm Dm6 Dm7


A7 D7

full full full


full½ ½ ½ full full ½ ¼
21 22 P 23 P 24
5 (5) 5 7 8
5 8 5 5 8 6 (6) 6 (6) 6 6 6
12 12 12 12 (12) 7 7 7 5 5 7 7 7 7 7
7

3 3 3 3 3 3

D minor pentatonic D mixolydian + chromatic


P.M. P.M. P.M. P.M.

½ P
½
sl.
25 sl. 26 P 27 28 sl. sl.
8 10 (10) 13 10 13 10
13 10 13 10 10 12 9 10
12 10 12 10 10 12 10 11 10
12 10 12 12 (12) 12 12 12 12
12 11 10 9

6 6 3 3 3

D minor pentatonic G major pentatonic


G7
¼
29 P sl. 30

(10) 7
12 9 9 7 9
12

transcribed by Luke Bowman

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