CONTEMPORARY ART

FILM AND
BROADCASTING
GROUP 3
Today's Discussion
Topics to Cover
• What is Film and
Broadcasting/Broadcast Arts?
• Definition of Terms
• History
• Natioinal Artists Of the Philippines
(Film Category)
What is a Film and
Broadcasting/Broadcast
Arts?
Film and Broadcasting/Broadcast
Arts - direction, writing,
production design,
cinematography, editing, camera
work, and/or performance.
What is a Film in
Contemporary Art?
Film, also called motion picture or
movie, series of still photographs on film,
projected in rapid succession onto a
screen by means of light. Because of the
optical phenomenon known as
persistence of vision, this gives the
illusion of actual, smooth, and
continuous movement.
 DEFİNITION OF TERMS

film broadcasting

a motion picture produced the act of transmitting

as an artistic or speech, music, visual
experimental venture. images, etc., as by radio or
television.
History
The youngest of the Philippine arts, film has evolved to
become the most popular of all the art forms. Introduced
only in 1897, films have ranged from silent movies to
talkies; black and white to color. Outpacing its
predecessors by gaining public acceptance, from one end
of the country to the other, its viewers come from all walks
of life. Nationwide, there are more than 1000 movie
theaters. Early in the 1980s, it was estimated in Metro
Manila alone, there were around 2.5 million moviegoers.
As an art form, it reflects the culture and the beliefs of the
people it caters to and most times, is the one who shapes
their consciousness.
National Artist of the
Philippines
Film and Broadcasting/Broadcast Arts
 FILM DIRECTORS
GERARDO DE
LINO BROCKA ISHMAEL BERNAL
LEON

EDDIE S. ROMERO MANUEL CONDE

 Gerardo de Leon
1913-1981

Gerardo de Leon, born as Gerardo Ilagan in September 13, 1913,

was a medical doctor by profession but his passion for film arts
led him to his prolific career as an actor and director. His first
job was as a pianist at the Cine Moderno in Quiapo, Manila,
where he played musical scores for silent films.

During World War II, he was one of many directors who made
propaganda films commissioned by the occupying Japanese
forces, which led to his arrest for charges of treason after the
war. When evidence of his assistance to Filipino rebels came
forth, he was pardoned and eventually became one of the most
successful directors during Philippine cinema's golden age.
 Gerardo de Leon
1913-1981

Besides his award-winning films based on books and serial

comics, he was also known for American slasher films in the
'60s, two of which he co-directed with another prolific director,
Eddie Romero. When sexy films were the craze during the '70s,
he was hired by "The Pope of Pop Cinema" Roger Corman to
direct Women in Cages (1971) which featured iconic actresses
Pam Grier and Sofia Moran.

De Leon died in 1981 and immediately a year later was

conferred as National Artist for Cinema.
Huwag Mo Akong Limutin
1960

"Huwag Mo Akong Limutin" is a classic Filipino film

directed by Gerardo de Leon. Released in 1960, it's a
touching exploration of love and memory. The story
revolves around a man who struggles to cope with
the amnesia of his wife, as he tries to rekindle the
love they once shared.Starring, Cesar Ramirez,
Cynthia Zamora,Aura Aurea, and Arsenia
Fransisco.This timeless melodrama showcases De
Leon's mastery in storytelling and is a testament to
his contribution to Philippine cinema.
 Lino Brocka
1939-1991

Catalino "Lino" Ortiz Brocka was a director for film and broadcast
arts who was known for his social activism that was heavily
reflected in almost all of his films. He was born on April 7, 1939 in
Pilar, Sorsogon. His movies depicted the marginalised sectors of
society and he showcased his passionate efforts to fight for the
rights of workers in the theatre, film and television.

His masterpieces garnered him local and international

recognition. Following Avellana's footsteps, his works have been
showcased at the Cannes Film Festival.
 Lino Brocka
1939-1991

His provocative films like Bayan Ko and Macho Dancer (1988),

during the dictatorship of the late President Ferdinand Marcos
were deemed by the regime as subversive, but still made it to
the big screens and earned praise from critics. Bayan Ko was
shown at the Cannes and nominated for the Palme d'Or while
Macho Dancer's uncensored 35mm film print was smuggled to
the Museum of Modern Art.

Brocka died in a fatal car accident in 1991 and was posthumously

conferred National Artist for Film / Broadcast Arts in 1997.
Maynila: Sa Mga Kuko ng
Liwanag
1975 2h 3m

"Maynila: Sa Mga Kuko ng Liwanag" (Manila in the Claws of Light) is a

classic Filipino film directed by Lino Brocka, released in 1975. The film is
an adaptation of the novel of the same name by Edgardo M. Reyes. The
story revolves around a young provincial man named Julio Madiaga,
played by Bembol Roco, who comes to Manila in search of his lost love,
Ligaya Paraiso, portrayed by Hilda Koronel. The film explores Julio's
journey as he navigates the challenges of life in the big city, hoping to
find Ligaya and make a better life for both of them. It delves into the
struggles, exploitation, and harsh realities faced by those who migrate to
the city in search of a brighter future. The film is noted for its powerful
social commentary, artistic cinematography, and memorable
performances, making it a cornerstone of Filipino cinema and a classic of
world cinema.
 Ishmael Bernal
1938-1996

Ishmael Bernal, born on September 30, 1938, is known for his

melodramatic depiction of feminist and moral issues. His films
ranged from sensible independent films to mainstream box-
office hits. He finished a Bachelor of Arts in English at the
University of the Philippines and worked with Lamberto Avellana
in his documentary film studio. He later studied French literature
and philosophy in France and received a diploma for film
directing in India. When he returned to the Philippines, at the
time when the so-called "bomba" and action movies were
bankable projects in the industry, he changed the game with his
debut film, Pagdating Sa Dulo, which depicted the harsh
realities of the lives of celebrities and the film industry itself.
 Ishmael Bernal
1938-1996

His broad range of film genres and themes gave him opportunities to
create experimental masterpieces like Nunal Sa Tubig and Himala,
sophisticated comedies like Pabling (1981) and the two Working Girls films,
as well as contemporary dramas like Ikaw Ay Akin and Relasyon, among
others, that shaped Philippine drama in film, television, and radio way after
his prime. Like Lino Brocka, he was also known as one of many artists who
tried to defy the regime with their craft. Most notable of his social
commentary films was City After Dark (originally titled as Manila By Night)
that explored the problems of the city and the Marcos regime from
personal point-of-views of interconnected characters.
In 1999, three of his films were shown at the Lincoln Centre in New York in
celebration of the 100 years of Philippine independence. His masterpiece
Himala was awarded in 2008 the Viewers Choice Award for Best Asia-
Pacific Film of all time by the CNN Asia Pacific Screen Awards.
Bernal died in 1996 and was conferred National Artist for Cinema in 2001.
Himala
1982 2h 4m

"Himala" is a critically acclaimed Filipino film

directed by Ishmael Bernal and released in 1982.
The movie tells the story of Elsa( Nora Aunor), a
young woman in a rural Philippine town, who
claims to have seen the Virgin Mary. Her supposed
miraculous visions lead to a series of events,
including a growing following and economic
exploitation. The film explores themes of faith,
superstition, and the harsh realities of a poverty-
stricken community.
 Eddie S. Romero
1924-2013

Eddie Romero started as a screenwriter before becoming one of Philippine

film industry's most influential directors. Ambitious, yet practical, Romero's
distinctive style is cited as simple and minimalist yet carry enormous depth
with precise execution.

His film Ganito Kami Noon…Paano Kayo Ngayon?, set during the turn-of-
the-century revolution against the Spaniards and Americans, follows a
naïve peasant through his leap of faith to become a member of an
imagined community—the Philippine nation.

Romero was also known for his cult horror films in the '60s, oftentimes
showing in drive-in cinemas in the US. His "Blood Island" film trilogy was
co-produced by Hemisphere Pictures, but Romero was quoted in an
interview in his twilight years to having hated doing those.
He was conferred National Artist for Film in 2003 and died in 2013.
Ganito Kami Noon... Paano Kayo
Ngayon?
1976 2h 16m

"Ganito Kami Noon... Paano Kayo Ngayon?" is a renowned

Filipino historical drama film directed by Eddie S. Romero. It
follows the story of a young man, portrayed by Christopher de
Leon, who embarks on a journey that takes him from a rural
village to Manila. Along the way, he encounters various
characters and experiences the complexities of Philippine
society during a time of great change. The film is celebrated
for its meticulous attention to historical detail and its portrayal
of the cultural, social, and political dynamics of the era. It
explores themes of colonialism, identity, and the clash of
traditional Filipino values with the influence of foreign powers.
 Manuel Conde
1915-1985

As one of the biggest names in the film industry during its golden age in the
'50s, Manuel Conde was the first to bring Philippine cinema to the international
stage with his epic film Genghis Khan at the 1952 Venice Film Festival. Cited for
its technical achievement, the film was also well received at the 1952 Edinburgh
Film Festival. It showcases Conde's resourcefulness and the creativity of his co-
director and co-actor Lou Salvador and his production designer Carlos "Botong"
Francisco, who was eventually conferred as a National Artist.

Manuel Conde (born Manuel Urbano) had initially used the screen name Juan
Urbano in the 1930s. Born on October 15, 1915 in Daet, Camarines Norte and
released his first film entitled Mahiwagang Biyolin in 1935. He was a prolific
actor, director, and producer, and was known for successfully finishing films of
epic scale in terms of production design despite shoe-string budgets.

He died in 1985 and was conferred the title of National Artist for Cinema in
2009, among his other prestigious accolades.
Genghis Khan
1950 1h 31m

Before becoming the legendary conqueror Genghis

Khan, Temujin (Manuel Conde) is a competitive
type, not the strongest physically but clever and
cunning. After using his skills to win access to a
water hole for his tribe, Temujin sees rival leader
Bourchou (Lou Salvador) attack his people and kill
his father. Vowing revenge, Temujin gathers
followers and begins to build his empire, all while
wooing and winning the hand of beautiful Lei Hai
(Elvira Reyes).
 If you can film an idea in your mind,
follow that film idea shot for shot, scene
for scene, that idea is worth making.
CRAIG MAPP
THANK
YOU FOR
LİSTENİNG
 References
https://www.scribd.com/presentation/592506679/11-National-Artist-for-Film?
fbclid=IwAR2UVaq92pvGs9FBqMX2SpNfm01whBnHqyuiuojvp6noU-RyGKCdNc_X058
https://www.tatlerasia.com/lifestyle/arts/12-filipino-film-directors-you-should-know
https://www.whyienjoy.com/what-is-the-meaning-of-film-and-broadcast-arts/
https://www.slideshare.net/AndreaAudineJandonga/the-art-of-philippine-films