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Willard A. Palmer • Morton Manus • Amanda Vick Lethco

 '1 ',

iano
Correlated materials to be used with Lesson Book, Leve/ 3:

Title Start on pege Tltle Stert on page

CLASSIC THEMES, Level 3 10 SHEET MUSIC SOLOS
DUET BOOK 3 4 Always You 30
EAR TRAINING BOOK 3 2 Bourrée in O Minor .40
ENSEMBLE BOOK 3 2 Bridge Over Nishigawa 30
FLASH CAROS, Levels 2-3 .4 Garden Pools in Kyoto 26
FUN SOLO BOOK 3 5 Grand Piano Band, The 11
FUN WITH MODES 16 lt's Such a Super-Special
HYMN BOOK 3 .4 Sorta Song ! .
INTERMEDIATE MUSICIANSHIP, Book 2 2 Merry Machine, The •
JAWROCK COURSE, Level 3 6 Mist 26
MERRY CHRISTMASI Level 3 .* Mountain Railway 14
MERRY CHRISTMAS! Ensemble Book 3 .* Popcorn 14
MUSICAL CONCEPTS BOOK 3 6 Serenada in G .
RECITAL BOOK 3 2
REPERTOIRE BOOK 3 2 'Teacher's discretion.

SIGHT READING BOOK 3 2

TECHNIC BOOK 3 2 A General MIDI disk ~ (22395) anda Compact Dlsc ~ (14547)
are available, which include a full piano recording and background
THEORY BOOK 3 2 accompaniment.
TOP HITS! Solo Book 3 .4
TOP HITS! Christmas Book 3 .* Theory Games Software correlating to Levels 1 A-5 is available for
TOP HITS! Duet Book 3 * Macintosh and IBM/Windows-compatible computers.

Willard A. Palmer • Morton Manus • Amanda Vick Lethco

Third Edition
Copyright© MCMXCIX by Alfred Publishing Co., lnc.
All rights reservad. Printed in USA.
ISBN 0-88284-815-1
lllustrations by David Silverman (Painted by Cheryl Hennlgar)
2

Goodbye, Old Paint

"PAINT' is a name often given to a pinto (spotted) horse.
In this piece, the treble E is sometimes played with the 3rd finger, sometimes with the 2nd.

Lazily

STRETCH a 3rd!

leav in' Chey

* You may play the pairs of eighth notes a bit unevenly, long short, long short, long short,
in "WESTERN STYLE," if you wish.
LJLJLJ
dy to begin RECITAL, THEORY, TECHNIC, and EAR TAAINING BOOKS, Level 3.
vou are no W rea
 3

ri

1
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ritard. pp
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\ 1 1
1 1
 n 1 i
AH A
ON TOP O OLD SMOKY be In and ends
wlth th RH In n XT NO O POSITION. e E G e
1 2 3 5

Play severa! times: -J-+----+J->

_,,.~..--'+-2 ---+1\. . :1. . .·
,,-J-+-,-df+--!"-+-rr
l)(J /Jp Jo
,, 'Jrrj ;¡ 'Jrr} d 4 r

w. h Prímary Chords in C
BLOCK CHORDS BROKEN CHORDS

~~}--;~ ------i.~:"----~~.-9"~---ft-+---...---flL--+--+--.i>---F--+-+--.i'---fL---+I
_..r;__,..._ ·-------5 . 5,--'15;-;------i._.K----+--+--+--JK----+--+---l-1------+---+-~
5 2 1
1\ y7 V7

Moderato
f I f J F lJ f .1r;'_,1 T 1 J 1 J

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top af old Smok y, All cov - er'd with

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From a court- in' too slow.

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\ 1 1 1 1 1
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RH: More Extended Positions
FESTIVE MARCH contains two EXTENDED POSITIONS for the RH.

Play severa! times: Play severa! times:

G B D G D A D
1 2 3 5

r
1 2 3 5

Up Up
11 ~ i J J#ttJ =P Up Up Up
1
a rd a 4th
a 3rd a 3rd a 4th

LH Review: The Primary Chords in G & D

THE KEY OF G THE KEY OF D

~:' ift
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\5
[V
o
1-eP-
2
15 o

V7
11 ?:ID ~§
1
1
~2
IV
1 ! '!i
V7

Festive March
Joyfully
EXTE OEO POSllTllO!N-------------------
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1 2 -1 3 2 3 ,,..,

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--
EXTENDED POSITION
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3
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1 2 2 3

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 8

Review: Prim - ry Chord wlth B _ h H n

' ' ~'gtt:; -' .. ~,

- -. .
KEY OF C KEY OF Q KEY OF D

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·15 ~ TI

1\ 1\ \

Alpi M 1 y
This piece uses ONLY the primary chords in C, G & D, in BOTH HANDS!

Andante moderato

'
5
4
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3 1 1 2 1 3 1
5

a tempo
,.. ritard.

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a tempo ~ 5
4
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3 4
3
(LH over AH)
10

Passing 1 under 2
RIGHT HAND
Play several times. Begin slowly.

Pass 1
under2

~ 1 2 1 2 3

mf
• Keep the wrist loose and quiet.
• Listen carefully as you lift and drop each finger.
• Drop the thumb on the outside tip of the nail.

LEFT HAND
Play severa! times. Begin slowly.

6fU?r
mf
;>: ~ :j l
1 2 1 2 3 1 1 1 1

Pass 1
under2

RIGHT HAND
WALTZ PANTOMIME will test your attentiveness at reading melodic and harmonic intervals.
3 4 5
1/2~ 1/2~ 1/2~

:j l
P (skip) (step) (skip)

Waltz Pantornime
Allegro moderato
------~-:-~~~~~---::---~
 11

4 3 3
1 1 1

4
1

2nd time ritard.

Fine

3 3
11 2

. 1 1
~ ·1

.. '-' •
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1
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1 1 1
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7 1, -,

1
1
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1
1 1
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l 1 1 n•
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1

1
1

2
1
1 1 1

1 2

4 !":"..

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fl. ~ 1 1
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1 1 1 n• 1
1 1
1
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1 2 1 1 1
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2 1
1 D.C. al Fine
12

Light and Blue

Moderate blues tempo

1 2 1 2 ~

Sva - - - - _ _ _ _ _ 1
4
3~2

"'The pairs of eighth notes rnay be

r--ir--i
long short long short
played a bit unevenly, in a "liltíng" style:
 13

1 --------

1. l 2.

ritard.

TEACHER'S NOTE:
1. The LH may be played staccato, except where slurred.
2. The repeat may be played sv«, with notes marked sva
played as written.
3. The final chord may be played with tremolo:
14

Passing 1 under 3
RIGHT HAND

4 1 t?Jj¿ 1
~
-2-......._3

r F 1
113
Jz 1
1

F F F
2
3~
2

r· :¡f
• Keep the wrist loose and quiet.
• After playing the first note of each phrase,
carry the thumb at the base of the 3rd & 4th fingers.
• Drop the thumb on the outside tip of the nail.

LEFT HAND
Play severa! times. Begin slowly.

1 2 3 1 2 3 1 2
F
3
3
Pass 1
under3

?: r: F
2
1
------
r
3
1
F
1 fl 1 F-------F
1 2 r
3
1
F,
J J
2
1

3
----A.
1
2
:JI

Reman Holiday
Allegro moderato
~----:r----
 15

l 2.

- - -
,..
j' 1 ~ > >

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~
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-,
1 1 -' r•
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1

-
1 l 1 1
1

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1 1
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1
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1
1
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1
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r
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1
1
1-
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- 1

1
1
T
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1
1
>
•
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>
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•
Fine

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1 1

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1
1
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1
1
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1 1

1 2 3 2 1
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1
3

5
2
1
5 r.-..

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1 1 111"' ....,¡ 1 1 1 1 1 1
1
1 1
....J
-' -' 1
l
1 rr -'
1 1 1 >
D. C. al Fine"

· When pi ying D.C. al Fine. always omit the 1 st ending and play the 2nd ending.
16

Major Scales in Contrary Motion

When the hands move in opposite directions, one ascending as the other descends,
it is called CONTRARY MOTION.
Play hands separately, then together. Play slowly at first, then gradually increase speed.

C MAJOR 4 5 5 4

5 5

G MAJOR

- -
2 3 3 2 1
... 5 ·-

~,
5
." 3
-....-
4
• • 4 3 2
-
-
~ 2 ,..
- -
1
-
1

-
r 1 1

-
1
~ ,..
-
l
,..
.
.li 1
1 1
_, 1 1 1
~ 1 1

- -
.<.. ..,j 1 1
L ..,j 1 1 1 1 1 1 1 1 -'
" 1 1

.
.

1
1

'
L '-•

/
..... ...
fil

-
~ -
t. 1
1
,...
1
1
- -
1
1 l
,...
- 2
- ...1
~
l

4 -5 ...1
1

-5 ...1
1
~
1
-
..,j

3
1

- 2
1
.-
l
-
1
,..
1
-
1

1 3 4 3 2
2 3

D MAJOR

5 5

pre 1 u de IN 1 Bth-CENTURY STYLE

Andante 3 4
1 2

f
>
 17

5 4 3
3

--
2

- -.
1
.....
-
l. >- >
-
2
• > >
.• "'
>
- - •• - •
- "" ,.. 1
• -
1 ... lit 'lit
•'
.11 1 1 ' '
• •
-
'll.l 1 1 1 ....¡ 1 1 1 lit 1
1 .... 1 1 1 1 1 .l. .l. .l. -'
' 1 1 1 ' ' '
~ -

--- - - - -
.r:
-- -
<
,.•• . - ~
.
-
1 1 1

-~
..._ 1 1 1 <, 1 1
• •'
- - >- -...
'll.l 1 -' 1 1 1 1 1 1 1 1
/ "I .l. 1
,.
IJ 1 1 -'
•
1 1 1 1 .l.
'
1
\
- '
--'
'll 1 1 -' -' 1

> 1 1 > > > > 1

3

=-.
---- - - - - -. - ------ - - - - - -
2 5 1
3 ,..5 2 -
' 1 1 1 1 1 1

.• ~ -. -.
/ 1 1 1 1 1 1 1 1 1

- -.
....
-- - 1
1
....
1
1
-. -.
-'
1
1
'
t) 1
-
1 1 ___J . -~
-'

- --
< /

-·.. .- . -. -. - - . .
-
1 1
- ~
- -
,,.-
~- ,_
,..
1

\
/ 1
1
r.J
1

1
r-

1
r-
r-
r1

1
,...
. 1

. 1
1
1
1

2 1 1
3
1 1

-r-.
-- - - - - - -. - -.
2 1

- -- - - - - -
3~ 2

- -.
r
.'
1 1 1 1 1 1 1
I
'
/

- -
1

-..... -.... .... 1

-. . -.
1 -'
.
.... 1
-'
~ 1 1 1 ---1

<
p
..-· .- . ...-. -. - -
- -.
t
. .
-
-
1 1

-.
~ ,_
... - ... -
/
r.J
j / 1 r-
r.J
1 e-
' 1 1
1
1
1
1
1 1
1
18

The Chromatic Scale

The CHROMATIC SCALE is made up entirely of HALF STEPS.
lt goes up and down, using every key, bl ck nd whil . lt may begin on any note

FINGERING RULES
• Use 3 on each BLACK KEY.
• Use 1 on each white key, except when two white keys are together
(no black key between), then use 1 - 2, or 2 - 1.

r LH FINGERING-, rRH FINGERING-,

1. Looking at the keyboard above, play the CHROMATIC SCALE with the LH.
Begin on middle C and GO DOWN one octave.
2. Looking at the keyboard above, play the CHROMATIC SCALE with the AH.
Begin on E above middle C and GO UP one octave.

Chromatic Warm-Ups
~ 1 2 3 1 3 1 3 2 1

11

1 2 3 1 3 1 3 2 1
11

One-Octave Chromatic Scale

Play several times daily!
 19

Village Dance
Allegro

2
', - -
5 3

-
/
''
T
... 1

-'"' - ...,, .
1

-<::
1 1

-
1
1
-
-
- - =·
T -' -1 -' 1 1 -' 1 -'
-'
I
-1 ~
1
~ ~

¡1 .._
,,
......
- -
- 1

1
- --
1
1
1

-
1

--
-
1

1
- -
1 L_
V

- -
1'11: T
1
...-
.... ~
~1
1

- - -
1
1
1
~
r
' 1 1
T
T
1
1
1

1
1 T

,.,
- . - - - -~·
- 1 3
.
- -
''
1.1 7 1 1 T 1 1 1 1

-
T 1 1 1 l 1
.....
~ .....
- -
1
l
.-1 -' ...,,
-' -'
-'

~
1 >- I~~

- - --
-·..
- - - - - -- - -
L_
........ ....

- - -
-,,
.._
1

1 l
1
1
1 1
1
1
1 T
1
....
,...
1

1
1
1
1
1 1 1
1 T 1 1 1 1
1 1 1 1 1 l
20

The F Major Scale

KEY-NOTE KEY-NOT[

• •
F MAJOR SCALE
J J J
....__
~r r r r r
___. "---"
1
L---------'
1 st TETRACHORD WHOLE 2nd TETRACHORD
STEP

The fingering for the F MAJOR SCALE with the LH is the same as for all the scales
you have studied so far: 5 4 3 2 1 - 3 2 1 ascending; 1 2 3 - 1 2 3 4 5 descending.
Play slowly and carefully!
Cross 3 Pass 1
over 1 under3

=11
mf5 4 3 2 1 3 2 1 1 2 3 1 2 3 4 5

To play the F MAJOR SCALE with the AH, the 5th finger is not used! The fingers fall
in the following groups: 1 2 3 4 - 1 2 3 4 ascending; 4 3 2 1 - 4 3 2 1 descending.
Play slowly and carefully!
Pass 1 Cross 4
under4 over 1

¡~ i 1

J J J
2 3

r r
4

1
1 2

E
3

E
4

E
4

1 E
3

E
2

E r 1r
1 4 3

¡J J
2 1

:11

The F Major Scale in Contrary Motion

Play the hands separately at first, then together.
Begin slowly and gradually increase speed. Play several times daily.
 21

Casey Janes

KEY OF F MAJOR
Key signatura: 1 flat (B~)

Moderato
5

- ...- - - - -
2

-
1 1
r. '""'
... •
,,-...,
n
1 1
• - l"7

2 • • •

" -- -- - -
...- • --
- -
3 2 1
- -
-
-
- -. -.
11 11
-
....- ...-
, '""' '""'~ 1 -
.... ~
~ : I
L...

" - 1 1
-
1 '-''
P-J
1

1 l 1 l 1
1
__, 1

rJ

~~
1 J
1 l - 1 1

<
-
- - -

--- ---
t -
- . .
-
-

---•--- ---•---
1 1 1 1 1 1 1 1 1 1 1

1
L '•

/
•• 1
L,
1 -' 1 1 -' 1 1 ...J 1 1 -'
1

... ...J
1 T
1 -' 1 - 1
-
T
-

• • • •
V l 1
1 1

1 2 1

.... - -~ -
---
3

- -
, ~ ...- .... • --'""'-... 11 3 2 1
....-
11

,. r
-
1 l 1
'""'
.. -
1

-. -.
1
n 1 1 1 1

1 ~ I
'-
V
'r
1
1
1 r'J
1
1 1 1 1
l
1
1
.... -'
...__
-
rt

1 ~ 1...-J 1 1 1

- - -
<
~

' - ~-
~,
~
. .
- -•---
1 1
1

-
1 1 1

-··
1

- - - --
1
1
__,
1 1 1 1 1
~ 1 1 -
...-
L '• 1 1 -' 1 ...J 1 1 __,
1
'""'
;,¡
~ / L...
" 1 T

•
1

• • u T 1
'
V
1 1
2 1
:« Eighth notes may be played unevenly, in long-short pairs.
 22

The Primary Chords in F Major

Reviewing the F MAJOR SCALE, LH ascending.

KEY OF F MAJOR l
L Key signatura: j
i
1 flat (B~)
.u.
• o o ft
l I\' y7

F Mejor Chord Progresslon

Primary Chords In F Play several times.

;>: ~ ~
~--:;~==~351-!_;-_-_-_~__;----=-251!!-=---~-+--25117
& :TI:
11

1 IV 1 IV 1 y7 1

BLOCK CHORDS BROKEN CHORDS

Play. Play.

..... - - -. - -.
, 3 ~ 1 3~1 4_ 5 1
"' -. .. . ,
- -
-.. -.. -
r r
.
.11 1
,_ Sr ~~ ' 1 ' '

-. ,.. ..... ,.. 1

-.
1 1 1 1 1
~ .;
~
- ~ y
....
L 3r
1r 1 '"'
r 1 ,; 1 1 1 1 1
1
....,¡
1
....,¡

~ ~ ~ ¡......¡
. lt. .
<:
1
&
-
,,•• 1,_
-·

y
..
•JI

-L
1 ~·
3 .. :
5 -
21 ~·.
5 ~.
i-
~ ,-9-:
5 '1 • . . 5 .=
1
1 lt
3 - - 5 .=
2
1.
1
• 1
1
s- 1
1
2 ""!'"
1
•
~
1

'
1
1

1 IV V7 1 IV

Moderate waltz tempo

1

5
 23

4 5
2 2
1
3 1 3 .
. .
1 3 2 1
1\
..... 41 3
. - •- ....:
-
1 3 2 1 1
.. • - 1

~~- -
-

-
-11- - ..... 1 1
• '

-v-
L.. 1 1
,_ 1 .:..
1,
'. ~ V - VI-'
-.-
1
.........
1
~ ->.

-
,._
1 1 v- -
'
_].
1
I
1 1 l _J
' ' '
..i
1
1
-
1

• • ....
' p
t
,,.. . . . .
...-
-
1
1
..,
-
.
- '
& ....
'

•, • ' ' I
T
1
'- 1 1 ~ -" _]. 'l.
1
1 .... ....
•
'
"' '
V
' ' '
1

EXTENDED POSITION* I
1 2 5

*EXTENDED POSITION: A white key is skipped between the tst & 2nd fingers, and also between the
2nd & 3rd fingers. Two white keys are skipped between the 3rd & 5th fingers.
 32

Fandango

The FANDANGO is a lively Spanish dance

with 3 beats per measure. lt is usually
based on this chord progression:
11

KEY OF A MINOR
Key signature: no #'s, no h

Allegro
.. 1 3 5

1 1
3 2
5 5
l 2nd time onfy

.
-·~
,'\
1#

~ -...-.---
., -
.
1
1
1
., ....,¡ ,..-
1
.
-.
1
1
.-1
-
1
1
.-1•
~
J
1

-
1
1

.-1•
- 1
1

v"':
1
1
.-1
-.
1

1
1
-.
1
1 -.
.-1
1
"
.J.
'
"
'
.lo.
'
---
>
1
1
1
2
>
1
1
1
>
1
1
1
s•
2
1
>

-- '
"
-"
'
"
"
.lo.
'

.-. -.
.
1

------------ ----------- ----------- f, . To next

.ff
.. u•- ---
strain

-- . - .
I" > > >
-
L ....
' " " "
1
'

-
'
/
'fl.
...." "
,1
"
.lo. -" "'
.lo. .lo.
11 -
"
.lo. ...." 1 "
.J. "
.lo.
' ' ' ' ' ' 1 1 1
' '
1 1 1
>
1 5
sv« - - - - - - - - - - - - J Fine
2nd time sva
5 4 3
2
"
3 1
""'-·.
/ I u• , .1 •
I 1 r1 • r r
1 l J 1 r- r.i •
" I

-
,.¡ • 1 1 J 1
t) 1
1
1

p wif-p 1 1

-
<
1
....... leg_ato ._. f- - -- f- • ,..-
--
~
j - - r-
1 1
1 r:
1
1
1 1
1
1 1 ,..- 1
1
1
/ 1 1 1 1 1 1

' 5 3
1

5 3 5 3 1
 33
2 4
,., 1 2-1 5
·1 3
.
1 1
'-"

..,"'. ,,~
1
,,.... . =rs ,

~-
_.¡,,....

---
' -'. -' rJ •

""""'. 111""'. 11""].

'
<,
"". <,
"". M'-" 1

~ 1 1

t.
.. - - -- - - ,..- . ~
& ,..
u
,
•
1
u
111
•
1
1
1l

111
- • ol
~
111
- •
'
#
1
·1
1
:
- ~
1 1
1
/ 1 1 1 1 1 1 1 l 1
1 1 1 1
1
3 1 1 1
5 3
5

4 3 2
2 1 1
¡'\

.,,
1 1
1 1 1 1 l

- - ='"""··
1

- .
_.¡. 1

""'
- '--
-~·
,~

~-
r1. --.... .-1./ <, -'. -
- -.1 •/
rs , 'oa.
'-' I ""1 • ....___ V"' ~ L> -
~

&
-
/
.. -
,. •

1
1
• f'-
1
1
1
1 ,..-
1
,...
1
1
- #
- -
1
1
u

1
•
1
1
-
1

1
il

11 1
1
- •
1
1
l
- -
1

1
'11
u

1
1
•
1

-
1
1
u
11 1
1
1
- •
1
1

----
Znd time Sva

.
\,
~
"' -...
t)
I
ri
r1
1
1
1
2
~
•
------ -
1
1
1
,...
1
1
- -
1
1
·,...-
1
1
1-'
1
11
_;
....__
' -
1-'
1

1
.
21

l
rJ.
1
»>:
-
1

1
1
,..-
1
----
1
1
1
-
mf'-pp
1

... ,..
/
.. -
,..
1
~
1
~
1 ,..
1
1
- ~
1
1
~
1
1 -
1
1
1
•
1
1
1
f'-
1
1 -
1
1
1
• f'-
1
1
1
1
1 ,...-
1
...-
1
#
1
1
- ,..-
- 1
1
#
1
1

D.C. al Fine
34

The Primary Triads in Minor Keys

To find the primary triads in a MINOR K Y, th HARMONIC MIN R CAL i u ed.
In the A HARMONIC MINOR SCAL . th 7th not ( ) 1 rnads HA P, arJ ;rn ACCIDE JTAL.

Small (lower case) Roman numerals are used for minor triads (í),
large (upper case) Roman numerals for major triads (V).

ti= § #H o #o o
11 o ()

1 2 3 4 5 6 7 8
i 1\ V
AMINOR O MINOR E MAJOR

Notice that the i & iv chords are MINOR TRIADS. The V chord is a MAJOR TRIAD.
This is true in all minar keys!

o ma e e chord progressions easrer to play and sound better,

e iv and Y chords may be played in other posrtions by moving
one or mo e of the higher chord tones down an octave.

The i chord is The top note of the The 2 top notes of the
played in iv chord is moved V chord are moved
ROOT POSITION: down an octave: down an octave:

~:
11 11
iv

When a triad is not in root position, the ROOT is

ALWAYS the upper note of the interval ot a 4th!

The Primary Traads in A Minor

Play severa! times. These are the same chords, one octave higher
than the previous measures:

1f ~f 1I~§1~#f ii
~: i I~ J~ liigh~ V
1i11 :! 11:
iv V
:j l
iv
 35

Go Dovvn, Mases
Write the Roman numerals (i, iv, V)
under the chords before you play.

KEY OF A MINOR
Key signature: no #'s, no ~·s

Adagio moderato
, When Is - rael was in E- gypt's land, Let my peo - ple

- -
go! Op -
-
-
1 5
... 2
~ ~
-
~4 ~~ 1 ,-
...... "",..... .....'·
...-
----- 11 ,.
...
--
1
.....
- -
1
Jl. 1 1 l 1
., 1
, 1

-
1

- -
1 r,1
"' I
-' 1 1 1 1
-'
1
_¡
1 --' --'
.....
~ 1
p 1
1 1
1 1 15 •
mf
..
1
~~
»>: - r-;
- "11.e Jl.
-
3 ~
5 - s= -~ ~
"'
,_...

-
1

,. .
- -
L

...-
/
La 1
'
.....
/ T.
1 ..... ..l..

1
1
r
'

pressed so hard they could not stand, Let my peo - ple go!
,., __....-----
- - - - »-::
2 ---........_,_
..
~
~
,.., ~ - - --------
,,1
1
1
1
/

1 1 1
, •'
' I l
1
1
1
1

1
r-
1
r-
1
1 1
1
~
l
_¡

-
....¡
1 "' _¡
111- ---'

15 •
.>.

'
~ 1

- -----
p
a:
1

.. - ª
~ ............_
,_
-
L"11.e
~
.., ,_ ~
- - -
1
1 r
,
•'
/
1
r-

1
-
_,
r
'""
1 1

Go down, M o s - es
'
'Way
s.----- -· down in

-
E - gypt's land,

-
4

-
1 > >
.. "'
1 1

....- ....-·
r,1
...- ,..- ----- 11

.
1.# 1 1 1
1 1
',,, ......
1
,.-, •·
,,
1 1 1 1 1 1 1 \
1 1 V 1 1 1 ,J
~ \J
r
-¡¡ > >
f> > > >
~: 1
·ª:
..
1 !9- r9"
1
~e-...
f -
,_
......
~
'J'
3 11 11"'1""
5 ....
TT
1l
TI
TI
h"
-
~

1 /

' 1
A A 1

Tie11 o Id Pha- raoh ' Let my peo - ple go.

~
··-
11
.....
- ,1
1

-
-
"\I
1

--------
2
,.. 1 1
--------
- -
1 1 r > .• 1 l
r• •
-
r1 • ., _¡ _¡
~ "' I
1 _¡
1
_¡
1 r •

1 1 1 15 •
~
~
mfa- p

- ------ -
1 #_, -r---.._

t -··
1
L'• /
1 1
,.
-
1 1
/
1
1 r- _¡
,.
1
1
36

The Primary Chords in A Minor

USING V7 INSTEAD OF V
Remember: The V7 chord To play the chord so it makes a When a 7th chord is
is made by adding a 7th to smoother progression, omit the 5th, and not in root position,
the V triad. move the 3rd & 7th down an octave. the ROOT is ALWAYS
the upper note ot the
interval of a 2nd!

The 3 PRIMARY CHORDS are now i, iv & V7. The same chords, one octave higher.

if i=
~#/
1.t: ir= 1

~: ~
l~: 1 ! ~: 1 11 1
Iv
1

V7
11
i iv V7
D MINOA E7
A MINOR D MINOR E7 A MINOA

A MINOR PROGRESSION with broken i, iv & V7 chords. Play several times.

9: ~ E
-
EfEEr1 E
5
f f f f A ¡ E E f f f r ttr f f E f ;
2 1 531
1
5 2 1
=11

s 3 1 ¡ V'
i iv

KEY OF A MINOR
Key sígnature: no #'s, no ~·s
lnterrnezzo *

Andante moderato
5 5
3 2

3 2

5 5
2

- -
1
~·
-
4
-
- -- . -
~ ~
.. " -·~. -
1

,..,- ,..-
r-1 •
.1 1 1 r-
. .
'. ~ ~ W' 1 1

r
.. .. .-
1
-

.
i.......i

.. , !: ,
~

- !: !:
-·
... ••
J.I. ~
1
,..
1
- 1
1 1
~ ~
1
1
r- - r-r- f'-
1
f'-
1

1 1 1
/

5 2

*'Jntetmezzo Originally, music played between acts of an opera;

now often used as the title of a short, independent piece.
 37

5
ritardando

- -·
2
~·
- - -
4
-
-
1 3 ~
ri ~ ~
-
-
J
-
l
/

....... ~
1
1 ...
'-. I'"\
1' 1 r-
-
1
1 'J

"' ... 1 1 r-> r-

_j

- .
. .
1
1

ttJ
j 1

. .. .
I _j 1
r
.
- i......¡
< /":'t...
1
... ..
••
-
.....
1*-
1
1
# ~ 1*-
1 r-
....- !'-
1
~
_j
!'-
1
Ll
1 -
111
~ ~
_j
r-
-
~
1*- ~
1
1
1, / 1
-
1

Fine
KEY OF C MAJOR
(relative of A MINOR)
Allegro
2nd time both hands 8va
r 5 5 2
1 1

-.
'r 2~ 5 1

,
~

.- - '
I

l ...•
-
....
1 1

--
r 1 1 1

.. -
1

-
....1
1 1 1 1
'
-....
1 1

-
I -i r.
1 -'
.g
. •
J )l<l
t) 1
> ~ >
.ff.
-.
<

....... >
... ..-
>.... . .
- - - ---
• >,,
-.
1
•
.J
- .J
1 1
/ .J .J ....
-
-1
1
-1 1 '.J
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1 1
3 2
5 5
meno mosso*
, 2~1 ~
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1
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1

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1 1 l
1 '\: 1 1

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p > >
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y.
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. mf
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1
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D. C. al Fine
*Meno mosso means "less quickly." Play the last line considerably slower than the fine before.
40

The Primary Chords in D Minor

Reviewing the D MINOR SCALE, LH ascending.

KEV OF D MINOR
Key signatura: 1 flat (B~)

~:
+
~ H o o ft #I o #e
i iv y7
D MINOR G MINOR A7

The following positions are often

used for smooth progressions: D Minor Chord Progression. Play severa! times.

;¡: ~ iU 1
i~ 1 ~t
1 I~
11 ;>: ~ i ipif=Fifiq i § 1 :11
iv V7 iv \'7
D MINOR G MINOR A7

D MINOR PROGRESSION with broken i, iv & V7 chords. Play severa! times.

;¡: ~ E E E
~
f
5
E
3 1
1
f 5
~
2
~
1
f
5
E3 1
1 ~~
5
~
2 1
:11

i iv i \'7

Raisins and Alrnond

s
Allegro moderato
3 ------------~~~~~~--~

Ma - ma