12 Contract Crew Agreement and Guide
12 Contract Crew Agreement and Guide
The Contract Crew Agreement should be used when you engage a paid, independent
contractor to work as crew on your production.
This document contains:
Complete Parts 1 to 5
1. Production The title of your production. If it doesn’t have a title, write a brief
Title description of the production (e.g. “scenes for a short drama set in a
bathroom”)
4. Crew Role What is the role that the contractor will have? This is the name of the
credit that you must include on your production.
5. Dates and The dates and times that the contractor will work. If you don’t know
Times of the exact times, tick the check box To be advised in call sheets and
Work schedules issued in advance.
6. Equipment Will the contractor use their own equipment on the production? E.g.
camera, lights, computer, car, dolly, make-up. List any equipment that
the contractor provides.
7. Safety and You must make sure that all contractors have the skills and experience
Security to do the work. Talk about the role and what is expected.
If the contractor has not worked on set before, you must talk about
safe behaviour on set.
If children will be on set, discuss how crew and cast must behave
around the children.
Give a copy of the Code of Conduct for Working with Children
on Set.
Explain that contractors must not work if they are under the
influence of drugs or alcohol.
8. Fee How much will you pay the contractor for their work? Will the contractor
charge GST? Talk about when you will pay the fee.
9. Working The conditions of the contractor’s work, such as hours and breaks, and
Conditions safety on set, will be those in the Motion Picture Production Certified
Agreement. More information can be found at www.meaa.org
Give a copy of the Basic Crew Conditions to the contractor.
10. Credits The contractor must get a credit on the production. This credit must be
the role named in Part 4 Crew Role. If the contractor wants to use a
different name for the credits, write this in the space for notes.
12. Publicity The contractor agrees that the filmmaker may use images and
recordings of the contractor to promote the production.
13. Filmmaker’s The contractor agrees that the filmmaker may show all or part of the
Right to Screen production anywhere in the world, on any platform (e.g. in the cinema,
the Production on TV, on the internet) at any time.
15. Workers’ You must check that the contractor holds a current insurance policy.
Compensation This policy must pay benefits to the contractor (or the contractor’s
Insurance family) if they suffer a job-related injury, death or disease.
You must ask to see the contractor’s insurance policy.
You must take out an insurance policy for the contractor if the
contractor does not hold a worker’s compensation or income
protection policy.
If you provide this insurance, you must have copies of the insurance
policy to show the contractor.
Tick the box to show who provides insurance for the contractor.
16. Equipment If the contractor provides any equipment (listed at Part 6. Equipment)
Insurance then you must talk about what will happen if the equipment is damaged,
broken or lost during the production.
Tick the box to show who provides insurance for the equipment.
If the equipment is damaged on set and an insurance claim is made,
who will pay the excess?
Tick the box to show who will pay the insurance excess.
17. Breach of This part explains that if you break one of the parts of the Agreement,
Agreement the production can still go ahead. If the contractor is unhappy, they can
take the matter to court.
18. Additional Write down any other points you agree on. For example:
Information
Will you give the crew member a copy of the film?
Can the crew member use the footage for their portfolio?
Will you cover the travel costs of contractors?
Can the contractor make purchases for their department?
How will they be reimbursed?
19. Signatures The contractor and the filmmaker must sign and date the Agreement.
The Agreement is only finished and useful when it is signed by the
contractor and the filmmaker.
20. Date The date that you both sign the Agreement.
Give one copy of the signed Agreement to the contractor and keep one copy.
Wide Angle Tasmania waives all liability and takes no responsibility in relation to any consequences that
may arise in relation to the contents of the Agreement.
1. Production
Title
Position..................................................................................................
ABN .......................................................................................................
Address .................................................................................................
...............................................................................................................
Email ......................................................................................................
4. Crew Role
Time(s) ..................................................................................................
OR
To be advised in call sheets and schedules
issued in advance.
8. Fee $ ....................................................................
Is GST payable?
YES
NO
10. Credit The filmmaker must give an end-screen credit to the contractor
for the role named in Part 4 Crew Role.
Notes .....................................................................................................
11. Editing The contractor agrees that the filmmaker may edit all footage and
that the filmmaker does not have to include the contractor’s work
in the finished production.
12. Publicity The contractor agrees that the filmmaker may use stills shot on
location and stills from the contractor’s work in the production to
promote, market and distribute the production.
13. Filmmaker’s The contractor agrees that the filmmaker may show, and allow
Right to Screen others to show, all or any part of the material filmed, throughout
the Production the world, by any medium at any time.
14. Public Liability The filmmaker has Public Liability Insurance for a sum of at least
Insurance A$20,000,000 for claims made if injuries or property damage
occur because of the filmmaker’s activities.
This insurance protects the contractor and others working for the
filmmaker if claims are made.
The contractor may ask to see the filmmaker’s Public Liability
Insurance Policy.
18. Additional List any other points you have agreed on.
Information
Signature of Filmmaker
20. Date of
Agreement
………/…....…/20………
Wide Angle Tasmania waives all liability and takes no responsibility in relation to any consequences that
may arise in relation to the contents of the Agreement.